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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 2 | 1 |
CREATING AND EXECUTION
|
Picture Making - Indigenous String Instruments
|
By the end of the
lesson, the learner
should be able to:
- Identify string instruments from different indigenous communities in Kenya. - Value Kenyan indigenous string instruments. |
Learner is guided to:
- Watch videos/observe pictures of real string instruments from Kenya and are guided in identifying the instrument by name and community of origin. - Visit an institution or a cultural/resource centre in the community to familiarise themselves with Kenyan indigenous string instruments. |
Which locally available materials can be used to make a one or two string instrument?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 1-4
|
Observation
-Oral questions
-Self-assessment
|
|
| 2 | 2 |
CREATING AND EXECUTION
|
Picture Making - Classification of String Instruments
|
By the end of the
lesson, the learner
should be able to:
- Classify various string instruments according to their community of origin. - Appreciate cultural diversity in string instruments. |
Learner is guided to:
- Watch a video clip or observe real string instruments. - Identify instruments by name, community, and method of playing. - Group the instruments by the number of strings. - Discuss how the instruments are played. |
How are indigenous Kenyan string instruments identified by communities of origin?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 3-4
|
Observation
-Peer assessment and feedback
-Written Tests
|
|
| 2 | 3 |
CREATING AND EXECUTION
|
Picture Making - String Instruments Crossword Puzzle
|
By the end of the
lesson, the learner
should be able to:
- Complete a crossword puzzle on string instruments. - Show interest in indigenous Kenyan string instruments. |
Learner is guided to:
- Search for string instruments from different Kenyan communities online, in textbooks, magazines or newspapers. - Complete a crossword puzzle about string instruments. - Share findings with peers. |
What string instruments are found in Kenyan communities?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 4
|
Written crossword puzzle
-Peer assessment
-Checklist
|
|
| 2 | 4 |
CREATING AND EXECUTION
|
Picture Making - Parts of String Instruments
|
By the end of the
lesson, the learner
should be able to:
- Identify the parts of a string instrument. - Describe the function of each part of a string instrument. - Value the knowledge of string instrument parts. |
Learner is guided to:
- Look at a displayed Kenyan string instrument. - Identify and label parts of the instrument. - Describe the function of each part of the instrument. - Draw and label parts of a string instrument. |
What are the functions of each part of a string instrument?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 5-6
|
Observation
-Drawing assessment
-Oral presentation
|
|
| 2 | 5 |
CREATING AND EXECUTION
|
Picture Making - String Instrument Function Analysis
Picture Making - Fiddle Poetry |
By the end of the
lesson, the learner
should be able to:
- Choose a string instrument from a Kenyan community. - Describe its parts and their functions. - Appreciate the craftsmanship in string instruments. |
Learner is guided to:
- Choose an instrument from any Kenyan community. - Name the instrument and its community of origin. - Discuss how the instrument is played. - Discuss the functions of each part. |
How do the parts of a string instrument contribute to sound production?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 7
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 8 |
Peer assessment
-Oral presentations
-Portfolio
|
|
| 2 | 6 |
CREATING AND EXECUTION
|
Picture Making - Recyclable Materials for Fiddle
|
By the end of the
lesson, the learner
should be able to:
- Identify recyclable materials for making a fiddle. - Collect materials for making a fiddle. - Demonstrate environmental conservation values. |
Learner is guided to:
- Gather tools and materials for making a fiddle. - Identify hollow gourds, wooden tubes, animal skins, strong fabric, sticks, strings or wires, glue or nails. - Discuss safety measures when using tools. |
Which locally available materials can be used to make a fiddle?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 9-10
|
Observation
-Materials collection checklist
-Group assessment
|
|
| 3 | 1 |
CREATING AND EXECUTION
|
Picture Making - Fiddle Resonator Preparation
|
By the end of the
lesson, the learner
should be able to:
- Prepare the resonator for a fiddle. - Demonstrate care when using tools. - Show patience in crafting. |
Learner is guided to:
- Prepare the resonator using a cylindrical piece of wood, carton materials, or a gourd. - Cut to size and hollow out as needed. - Observe safety while using cutting tools. |
How is a resonator prepared for a string instrument?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 10-11
|
Observation
-Project work assessment
-Self-assessment
|
|
| 3 | 2 |
CREATING AND EXECUTION
|
Picture Making - Fiddle Neck Construction
|
By the end of the
lesson, the learner
should be able to:
- Prepare the neck of the fiddle. - Make holes for the neck on the resonator. - Value patience in the process of making. |
Learner is guided to:
- Prepare a straight piece of wood for the neck. - Smoothen it and cut to size. - Drill two holes on the upper side of the resonator. - Insert the wooden stick through the holes to form the fiddle's neck. |
How is the neck attached to the resonator of a fiddle?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 11-12
|
Observation
-Project assessment
-Peer feedback
|
|
| 3 | 3 |
CREATING AND EXECUTION
|
Picture Making - Fiddle Membrane and Strings
|
By the end of the
lesson, the learner
should be able to:
- Stretch the membrane over the resonator. - Fix the strings on the fiddle. - Show creativity in making a fiddle. |
Learner is guided to:
- Stretch the animal skin or fabric tightly over the resonator's opening. - Use pins, small nails or glue to attach the membrane. - Fix the strings by tying to the nail on the neck and stretching over the membrane. - Place a small piece of wood between the string and membrane as a bridge. |
How are the membrane and strings attached to a fiddle?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 12-13
|
Observation
-Project assessment
-Self-assessment
|
|
| 3 | 4 |
CREATING AND EXECUTION
|
Picture Making - Fiddle Bow Construction
|
By the end of the
lesson, the learner
should be able to:
- Make a bow for the fiddle. - Apply rosin to the bowstring. - Demonstrate patience in craft-making. |
Learner is guided to:
- Collect materials for making a bow: flexible stick, sisal string, rosin, glue. - Prepare the stick by cutting to length and smoothening. - Attach the bowstring and create the bow's curve. - Apply rosin to increase friction for sound production. |
How is a bow made for a string instrument?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 13
|
Observation
-Project assessment
-Peer feedback
|
|
| 3 | 5 |
CREATING AND EXECUTION
|
Picture Making - Instrument Safety and Care
|
By the end of the
lesson, the learner
should be able to:
- Discuss safety precautions when using tools. - Identify proper ways to care for string instruments. - Value safety in tool handling. |
Learner is guided to:
- Discuss safety precautions when using sharp tools. - Study illustrations of damaged instruments. - Discuss what could have happened and how to prevent damage. - Practice proper storing and handling of instruments. |
Why is it important to observe safety when using tools?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 14
|
Oral questions
-Role play assessment
-Self-assessment
|
|
| 3 | 6 |
CREATING AND EXECUTION
|
Picture Making - Instrument Cleaning and Maintenance
|
By the end of the
lesson, the learner
should be able to:
- Clean and maintain a string instrument. - Explain the importance of instrument care. - Show responsibility in caring for instruments. |
Learner is guided to:
- Take turns to practice cleaning and storing a string instrument. - Discuss the importance of caring for and maintaining a string instrument. - Demonstrate proper cleaning techniques. - Apply rosin to bow strings as needed. |
How should string instruments be cared for and maintained?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 15
|
Observation
-Practical assessment
-Peer feedback
|
|
| 4 | 1 |
CREATING AND EXECUTION
|
Picture Making - Digital Recording of Instrument Care
|
By the end of the
lesson, the learner
should be able to:
- Record a video of the cleaning process. - Demonstrate digital literacy skills. - Show interest in documenting processes. |
Learner is guided to:
- In pairs, demonstrate how to clean a string instrument. - Record a video of the cleaning process. - Exchange roles and record each other. - Save the video in a digital portfolio. |
How can digital technology enhance learning about instrument care?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 15
|
Video assessment
-Digital portfolio check
-Peer feedback
|
|
| 4 | 2 |
CREATING AND EXECUTION
|
Picture Making - Fiddle Tuning
Picture Making - Stippling Technique Introduction |
By the end of the
lesson, the learner
should be able to:
- Tune a fiddle. - Observe how sound changes with string tension. - Value precision in musical instrument tuning. |
Learner is guided to:
- Watch a teacher or resource person tuning a fiddle. - Observe what happens to the sound when the string is loosened or tightened. - Take turns to practice tuning a fiddle. - Observe safety to avoid snapping strings. |
How does string tension affect the sound of a string instrument?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 15-16
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 16-17 |
Observation
-Practical assessment
-Self-assessment
|
|
| 4 | 3 |
CREATING AND EXECUTION
|
Picture Making - Digital Stippling Research
|
By the end of the
lesson, the learner
should be able to:
- Search and discuss drawings with stippling technique. - Identify balance, texture, and light in drawings. - Value digital resources for learning. |
Learner is guided to:
- Search and discuss drawings created using stippling technique from digital sources. - Identify items in the pictures. - Discuss light direction and texture creation. - Analyze balance in the compositions. |
How do artists use stippling to create different effects?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 17
|
Observation
-Digital literacy assessment
-Group discussion assessment
|
|
| 4 | 4 |
CREATING AND EXECUTION
|
Picture Making - Still Life Drawing Principles
|
By the end of the
lesson, the learner
should be able to:
- Understand the principles of still life drawing. - Identify balance and overlapping in compositions. - Appreciate the effect of tone in drawings. |
Learner is guided to:
- Learn about still life drawing principles. - Study examples of drawings with and without balance. - Compare drawings with and without overlapping to determine realism. - Discuss how tone and texture are represented in drawing. |
Why is overlapping important in still-life drawing?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 17-18
|
Observation
-Written assessment
-Self-assessment
|
|
| 4 | 5 |
CREATING AND EXECUTION
|
Picture Making - Stippling Musical Instruments
|
By the end of the
lesson, the learner
should be able to:
- Sketch a musical instrument. - Apply stippling technique to create texture. - Show creativity in drawing. |
Learner is guided to:
- Draw a musical instrument using stippling technique. - Follow the procedure: sketch basic shapes, apply stippling for shadows, add details, create texture. - Focus on overlapping, balance, tone, and texture. |
How is stippling used to create form and texture in drawing?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 18-19
|
Observation
-Drawing assessment
-Portfolio
|
|
| 4 | 6 |
CREATING AND EXECUTION
|
Picture Making - String Instrument Still Life
|
By the end of the
lesson, the learner
should be able to:
- Create a still-life drawing of string instruments using stippling technique. - Apply proper technique for texture and tone. - Value precision in artistic work. |
Learner is guided to:
- Create a still-life drawing of string instruments using stippling technique. - Focus on overlapping, balance of forms, and tone/texture. - Apply stippling to show light, shadow, and different textures. - Create contrast and visual interest through dot density. |
How can stippling be used to represent different textures in musical instruments?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 19
|
Observation
-Drawing assessment
-Self-assessment
|
|
| 5 | 1 |
CREATING AND EXECUTION
|
Picture Making - Drawing Exhibition and Feedback
|
By the end of the
lesson, the learner
should be able to:
- Display drawings for appraisal. - Provide constructive feedback on others' work. - Appreciate diverse artistic expressions. |
Learner is guided to:
- Display or present drawings in the classroom. - Discuss displayed drawings focusing on overlapping, balance, tone, and texture. - Give and receive constructive feedback. - Appreciate each other's work. |
How does giving and receiving feedback help improve artistic skills?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 20
|
Peer assessment
-Oral presentation
-Exhibition assessment
|
|
| 5 | 2 |
CREATING AND EXECUTION
|
Volleyball - Underarm Service and Dig Pass
|
By the end of the
lesson, the learner
should be able to:
- Identify serving and digging skills in volleyball. - Explain the importance of proper volleyball techniques. - Show interest in volleyball skills. |
Learner is guided to:
- Observe pictures showing serving and digging skills. - Identify the underarm serve and single-handed dig pass. - Discuss why the non-dominant hand is used to hold and toss the ball during serving. - Determine which part of the arm is suitable for hitting the ball during underarm serve. - Discuss the importance of good reception during play. |
How are the underarm service and dig pass skills performed in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 49-50
|
Observation
-Oral questions
-Self-assessment
|
|
| 5 | 3 |
CREATING AND EXECUTION
|
Volleyball - Virtual Game Analysis
|
By the end of the
lesson, the learner
should be able to:
- Watch a virtual volleyball game responsibly. - Identify serving and digging skills in a game situation. - Appreciate the execution of volleyball skills. |
Learner is guided to:
- Watch a virtual volleyball game responsibly in groups. - Identify serving and digging skills in the game. - Discuss the techniques observed. - Relate the observed techniques to the pictures studied in the previous lesson. |
How are the underarm service and dig pass skills applied in a volleyball game?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 50
|
Observation
-Discussion assessment
-Peer feedback
|
|
| 5 | 4 |
CREATING AND EXECUTION
|
Volleyball - Underarm Service Stance and Grip
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the stance and grip for underarm service. - Execute proper body positioning for underarm service. - Show interest in learning volleyball skills. |
Learner is guided to:
- Learn about the stance for underarm service (facing the net, feet shoulder-width apart, back foot, bent knees, bent trunk). - Practice the correct grip (holding the ball with non-dominant hand, extending the hand holding the ball in front). - Form a fist with the dominant hand. - Practice the stance and grip in pairs. |
What is the proper stance and grip for the underarm service in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 51
|
Observation
-Skill assessment
-Peer feedback
|
|
| 5 | 5 |
CREATING AND EXECUTION
|
Volleyball - Underarm Service Execution
Volleyball - Group Service Practice |
By the end of the
lesson, the learner
should be able to:
- Execute the underarm service with proper technique. - Follow through correctly after service. - Demonstrate coordination in volleyball skills. |
Learner is guided to:
- Demonstrate the execution of underarm service. - Practice facing the net, tossing the ball with non-dominant hand. - Swing the arm forward to hit the ball at the bottom with the heel of the hand. - Practice the follow-through by moving the hitting hand in the direction of the serve. |
How is the execution and follow-through performed in the underarm service?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 51-52
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 52 |
Observation
-Skill assessment
-Self-assessment
|
|
| 5 | 6 |
CREATING AND EXECUTION
|
Volleyball - Service Technique Refinement
|
By the end of the
lesson, the learner
should be able to:
- Perform the underarm service with proper technique. - Provide constructive feedback to peers. - Appreciate own and others' efforts in skill performance. |
Learner is guided to:
- In groups, take turns to perform the underarm service. - Observe each other's performance and give constructive feedback. - Appreciate own and others' efforts while performing the underarm serve. - Practice the skill multiple times to improve technique. |
How does constructive feedback help improve volleyball skills?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 52
|
Observation
-Peer assessment
-Self-assessment
|
|
| 6 | 1 |
CREATING AND EXECUTION
|
Volleyball - Single-Hand Dig Pass Introduction
|
By the end of the
lesson, the learner
should be able to:
- Understand the single-hand dig pass technique. - Demonstrate the stance for single-hand dig pass. - Show interest in learning volleyball skills. |
Learner is guided to:
- Learn about the single-hand dig pass (used when the ball cannot be reached with both hands). - Practice the stance (feet comfortably wide apart, facing the direction of oncoming ball, knees bent). - Keep weight balanced on toes to spring forward or to either side. - Practice the stance in pairs. |
Why is the single-hand dig pass important in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 52-53
|
Observation
-Skill assessment
-Self-assessment
|
|
| 6 | 2 |
CREATING AND EXECUTION
|
Volleyball - Single-Hand Dig Pass Execution
|
By the end of the
lesson, the learner
should be able to:
- Execute the single-hand dig pass with proper technique. - Follow through correctly after the dig pass. - Show coordination in volleyball skills. |
Learner is guided to:
- Practice execution of single-hand dig pass (moving to the side, reaching out to the ball). - Make contact with the forearm. - Push the ball upward and forward in the direction of the intended receiver. - Practice the follow-through by moving the arm slightly upward in the desired direction. |
How is the single-hand dig pass executed properly?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53
|
Observation
-Skill assessment
-Peer feedback
|
|
| 6 | 3 |
CREATING AND EXECUTION
|
Volleyball - Dig Pass Paired Practice
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate the single-hand dig pass in pairs. - Receive and pass the ball using correct technique. - Value teamwork in skill practice. |
Learner is guided to:
- In pairs, stand 5 meters apart facing each other. - Toss the ball to either side of your partner who should receive it with a single-handed dig pass. - Change roles and give each other feedback. - Practice the skill multiple times for improvement. |
How can the single-hand dig pass be practiced effectively in pairs?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53
|
Observation
-Peer assessment
-Skill progression assessment
|
|
| 6 | 4 |
CREATING AND EXECUTION
|
Volleyball - Combined Skills Practice
|
By the end of the
lesson, the learner
should be able to:
- Practice the single-hand dig pass in small groups. - Combine underarm service and single-hand dig pass. - Show cooperation in group activities. |
Learner is guided to:
- Practice in groups of threes. - Two members stand 4 meters apart facing one with a ball who stands 5 meters in front. - The member with the ball makes an underarm pass to each of the others one at a time. - Receivers use the single-hand dig and direct it back to the server. - Change roles and repeat until everyone practices both skills. |
How can the underarm service and single-hand dig pass be combined in practice?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53
|
Observation
-Skill assessment
-Group dynamics assessment
|
|
| 6 | 5 |
CREATING AND EXECUTION
|
Volleyball - Mini Game Application
|
By the end of the
lesson, the learner
should be able to:
- Play a mini volleyball game applying learned skills. - Observe volleyball rules in a game situation. - Show sportsmanship in game play. |
Learner is guided to:
- Form teams of 6 players. - Use a volleyball court to play a mini volleyball game. - Play sets of 7 points. - Put the ball into play using the underarm serve. - Make 3 touches before crossing the ball to opponents. - Earn points when the ball is grounded or when single-hand dig pass is used correctly. - Observe and appraise one another. |
How are volleyball skills applied in a game situation?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 53-54
|
Observation
-Game performance assessment
-Peer assessment
|
|
| 6 | 6 |
CREATING AND EXECUTION
|
Volleyball - Rhythmic Warm-up
|
By the end of the
lesson, the learner
should be able to:
- Chant French rhythm names in a warm-up activity. - Connect rhythm to movement in volleyball. - Show creativity in combining music and sports. |
Learner is guided to:
- Recite French rhythm names (ta-te, taa, taa-aa, taa-aa-aa-aa) in a warm-up activity. - Follow a given pattern and tempo while performing warm-up exercises. - Connect the rhythm to the movement patterns in volleyball skills. - Practice volleyball skills while maintaining rhythmic patterns. |
How can rhythm enhance the performance of volleyball skills?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Rhythm assessment
-Coordination assessment
|
|
| 7 | 1 |
CREATING AND EXECUTION
|
Volleyball - Applique Technique Introduction
|
By the end of the
lesson, the learner
should be able to:
- Understand the applique technique for labeling. - Collect materials for applique work. - Show interest in textile arts. |
Learner is guided to:
- Discuss the applique technique for labeling volleyball playing kits. - Collect appropriate materials for applique (fabric pieces, scissors, thread, needles, glue). - Consider material choice, color contrast, stitching or pasting methods, and positioning. - Plan the design for a volleyball kit label. |
What materials are appropriate for the applique technique?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Materials assessment
-Planning assessment
|
|
| 7 | 2 |
CREATING AND EXECUTION
|
Volleyball - Applique Design Creation
Volleyball - Applique Kit Labeling |
By the end of the
lesson, the learner
should be able to:
- Create a simple design for applique. - Cut fabric pieces according to design. - Show creativity in design work. |
Learner is guided to:
- Create a simple design for a volleyball kit label. - Transfer the design to fabric pieces. - Cut fabric pieces according to the design. - Prepare the base fabric for attaching the applique pieces. - Focus on choice of material, color contrast, and design elements. |
How are designs created and prepared for applique work?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Design assessment
-Peer feedback
|
|
| 7 | 3 |
CREATING AND EXECUTION
|
Volleyball - Recyclable Drawing Materials
|
By the end of the
lesson, the learner
should be able to:
- Search for recyclable paper/drawing surfaces. - Identify suitable drawing materials. - Value environmental conservation through recycling. |
Learner is guided to:
- Search the environment for recyclable paper/drawing surfaces (newsprint, packaging papers, sugar paper, brown papers, tracing papers). - Discuss the properties of different papers for drawing. - Organize and prepare the collected materials for drawing activities. - Sort materials according to suitability for block shading. |
Which recyclable papers are suitable for drawing?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Materials assessment
-Environmental awareness assessment
|
|
| 7 | 4 |
CREATING AND EXECUTION
|
Volleyball - Player Pose Templates
|
By the end of the
lesson, the learner
should be able to:
- Source virtual or actual pictures of volleyball players. - Trace and cut out templates of players executing skills. - Show interest in sports imagery. |
Learner is guided to:
- Source virtual or actual pictures of players executing skills in volleyball (dig pass and underarm service). - Study the body positions and movement patterns in the pictures. - Trace the pictures to create templates. - Cut out the templates carefully for later use in drawing. |
How can pictures of volleyball players be used as templates for drawing?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Template creation assessment
-Peer feedback
|
|
| 7 | 5 |
CREATING AND EXECUTION
|
Volleyball - Block Shading Technique
|
By the end of the
lesson, the learner
should be able to:
- Use templates to draw outlines of volleyball players. - Apply block shading technique to the drawings. - Demonstrate creativity in artistic work. |
Learner is guided to:
- Use the templates to draw outlines of players executing volleyball skills. - Apply block-shading technique using appropriate media (pencils, charcoal, chalk, crayons). - Create contrast between the figures and the background. - Focus on creating a sense of movement in the drawings. |
How is the block shading technique applied to create contrast in drawings?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Drawing assessment
-Portfolio
|
|
| 7 | 6 |
CREATING AND EXECUTION
|
Volleyball - Player Illustration Completion
|
By the end of the
lesson, the learner
should be able to:
- Complete block-shaded drawings of volleyball players. - Create effective contrast in the artwork. - Show precision in artistic techniques. |
Learner is guided to:
- Complete block-shaded drawings of volleyball players. - Refine the shading to create clear distinction between light and dark areas. - Create effective contrast between the figures and background. - Add final details to enhance the quality of the drawings. |
How does block shading enhance the visual impact of sports illustrations?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Observation
-Project assessment
-Self-assessment
|
|
| 8 | 1 |
CREATING AND EXECUTION
|
Volleyball - Artwork Display and Appraisal
|
By the end of the
lesson, the learner
should be able to:
- Display completed drawings for appraisal. - Discuss artistic techniques used in the drawings. - Appreciate own and others' artistic expressions. |
Learner is guided to:
- Display the completed block-shaded pictures for appraisal. - Discuss the effectiveness of the block shading technique in depicting movement. - Provide constructive feedback on each other's work. - Reflect on the process and outcomes of the drawing project. |
How does artistic appraisal contribute to improvement in drawing skills?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Peer assessment
-Exhibition assessment
-Self-reflection
|
|
| 8-9 |
MIDTERM |
||||||||
| 9 | 2 |
CREATING AND EXECUTION
|
Volleyball - Skills Self-Assessment
|
By the end of the
lesson, the learner
should be able to:
- Assess own performance in volleyball skills. - Identify areas for improvement. - Show self-awareness in skill development. |
Learner is guided to:
- Complete a self-assessment checklist on volleyball skills (underarm service and single-hand dig pass). - Identify strengths and areas needing improvement. - Set personal goals for skill development. - Share reflections with peers for feedback. |
How does self-assessment contribute to skill development in volleyball?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 54
|
Self-assessment
-Reflection assessment
-Goal setting assessment
|
|
| 9 | 3 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - French Rhythm Names
|
By the end of the
lesson, the learner
should be able to:
- Interpret rhythmic patterns using French rhythm names. - Recognize syllables in words as rhythms. - Show interest in rhythm interpretation. |
Learner is guided to:
- Clap rhythms represented by French rhythm names (taa-aa-aa-aa, taa-aa, taa, ta-te). - Identify the duration of different rhythms. - Discuss what rhythmic patterns are. - Recognize the relationship between word syllables and rhythm. |
How are French rhythm names used to create rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 58-59
|
Observation
-Aural tests
-Self-assessment
|
|
| 9 | 4 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Song Rhythm Analysis
|
By the end of the
lesson, the learner
should be able to:
- Identify French rhythm names in songs. - Sing songs while clapping rhythms. - Appreciate rhythms in familiar songs. |
Learner is guided to:
- Sing songs like "Mary had a little lamb" and "Lala mtoto lala". - Hum the melody of the songs. - Clap the rhythm of the songs. - Sing the songs while clapping specified rhythms. - Identify words with specific French rhythm names. |
How can French rhythm names be identified in songs?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 59-60
|
Observation
-Performance assessment
-Peer feedback
|
|
| 9 | 5 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Dotted Minim Rhythm
Rhythm and Pattern Making - Group Rhythm Practice |
By the end of the
lesson, the learner
should be able to:
- Identify the French rhythm name taa-aa-aa in a song. - Understand the relationship between dotted minim and taa-aa-aa. - Value precision in rhythm interpretation. |
Learner is guided to:
- Sing/listen to the song "Music Alone Shall Live". - Clap/tap the rhythm of the song while reciting French rhythm names. - Identify words with the rhythm taa-aa-aa (e.g., "sky"). - Understand that taa-aa-aa corresponds to a dotted minim (3 counts). |
How is the French rhythm taa-aa-aa used in music?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 60-61
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 61-62 |
Observation
-Aural tests
-Performance assessment
|
|
| 9 | 6 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Contrasting Rhythms
|
By the end of the
lesson, the learner
should be able to:
- Practice rhythmic patterns in groups. - Perform contrasting rhythm patterns simultaneously. - Show teamwork in rhythm performance. |
Learner is guided to:
- In groups, practice different rhythmic patterns simultaneously (e.g., Group 1: taa taa taa taa, Group 2: ta-te ta-te ta-te ta-te). - Maintain steady tempo while performing. - Try various combinations of contrasting rhythms. |
How do contrasting rhythmic patterns create interesting musical effects?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 62
|
Observation
-Group performance assessment
-Peer feedback
|
|
| 10 | 1 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Music Notes and Rests
|
By the end of the
lesson, the learner
should be able to:
- Understand the relationship between music notes and French rhythm names. - Identify music notes and their corresponding rests. - Value the precision in musical notation. |
Learner is guided to:
- Sing a familiar song and identify words with specific rhythm names. - Learn about music notes and their corresponding rests. - Understand that each note has a corresponding rest with the same number of counts. - Match French rhythm names with their musical notation. |
What is the relationship between music notes and French rhythm names?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 62-63
|
Observation
-Written tests
-Self-assessment
|
|
| 10 | 2 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Rhythm Games
|
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using French rhythm names. - Play the "I Pick You Clap" game. - Show creativity in rhythm creation. |
Learner is guided to:
- Play the "I Pick You Clap" game in groups. - One learner randomly picks and displays a flash card with a rhythm pattern. - Another learner steps forward, claps the rhythm, and explains the French rhythm names used. - The one who claps correctly picks the next card. |
How can games enhance learning of rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 63
|
Observation
-Performance assessment
-Game participation assessment
|
|
| 10 | 3 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Repetition Technique
|
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using French rhythm names. - Apply repetition technique in rhythm creation. - Show creativity in musical composition. |
Learner is guided to:
- Clap rhythmic patterns to identify how rhythms are created. - Learn techniques for creating rhythmic patterns, including repetition of note values. - Create and clap rhythmic patterns with repeated note values (e.g., taa taa taa taa). - Practice creating and performing rhythms with repetition. |
How is repetition used to create rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 64-65
|
Observation
-Composition assessment
-Performance assessment
|
|
| 10 | 4 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Variation Technique
|
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using variation technique. - Apply contrast in rhythm creation. - Show originality in rhythm composition. |
Learner is guided to:
- Learn about creating rhythmic patterns through variation of note values. - Create and perform rhythmic patterns with varied note values (e.g., taa taa taa ta-te). - Observe how variation creates interest in rhythmic patterns. - Practice creating original rhythms using variation. |
How does variation of note values enhance rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 65-66
|
Observation
-Composition assessment
-Creativity assessment
|
|
| 10 | 5 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Effective Endings
|
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns with effective endings. - Apply the principle of closure in rhythm. - Value completeness in musical compositions. |
Learner is guided to:
- Learn about the importance of effective endings in rhythmic patterns. - Understand that longer notes at the end create a sense of closure. - Analyze rhythmic patterns and identify their endings. - Create rhythmic patterns with satisfying endings (e.g., ending with taa-aa or taa-aa-aa-aa). |
Why is the ending important in a rhythmic pattern?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 66-67
|
Observation
-Composition assessment
-Aural assessment
|
|
| 10 | 6 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Combined Techniques
|
By the end of the
lesson, the learner
should be able to:
- Combine techniques to create rhythmic patterns. - Apply principles of repetition, variation, and ending. - Show integrity in producing original rhythms. |
Learner is guided to:
- Create rhythmic patterns combining various techniques. - Use repetition, variation, and effective endings in the same rhythm. - Perform created rhythms for the class. - Observe integrity by creating original rhythmic patterns. |
How can various techniques be combined to create effective rhythmic patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 67-68
|
Observation
-Composition assessment
-Performance assessment
|
|
| 11 | 1 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Collaborative Rhythm
|
By the end of the
lesson, the learner
should be able to:
- Play the "Create I Complete" game. - Collaborate in rhythm creation. - Value teamwork in musical activities. |
Learner is guided to:
- In pairs, play the "Create I Complete" game. - One learner creates and recites the first part of a rhythm. - The partner completes by reciting the French rhythm names of the second part. - Write down the complete rhythmic pattern and exchange roles. |
How can collaboration enhance rhythm creation?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 68
|
Observation
-Collaboration assessment
-Peer assessment
|
|
| 11 | 2 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Digital Rhythm Creation
Rhythm and Pattern Making - Three-Beat Patterns |
By the end of the
lesson, the learner
should be able to:
- Create rhythmic patterns using digital resources. - Apply technology in musical learning. - Demonstrate digital literacy. |
Learner is guided to:
- Search and use digital resources to create rhythmic patterns. - Explore digital applications that allow rhythm creation. - Create a rhythmic pattern using digital tools. - Clap, tap, or stamp the created rhythm. - Use French rhythm names to recite the pattern. |
How can digital resources enhance rhythm creation?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 68
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 68-69 |
Digital literacy assessment
-Creativity assessment
-Performance assessment
|
|
| 11 | 3 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Conducting Technique
|
By the end of the
lesson, the learner
should be able to:
- Identify songs in three-beat patterns. - Conduct a three-beat pattern. - Show coordination in conducting. |
Learner is guided to:
- Listen to songs like "Happy Birthday" and identify their beat patterns. - Clap the steady beat while counting "123". - Learn conducting techniques for three-beat patterns. - Practice conducting a three-beat pattern with proper hand movements. |
How is a three-beat pattern conducted?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 69-70
|
Observation
-Conducting assessment
-Rhythm identification assessment
|
|
| 11 | 4 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Song Conducting
|
By the end of the
lesson, the learner
should be able to:
- Conduct songs in three-beat patterns. - Apply conducting techniques to familiar songs. - Demonstrate leadership in musical activities. |
Learner is guided to:
- Practice conducting while singing songs like "Kumbaya". - Take turns conducting as the group sings "Happy Birthday". - Conduct the performance of "Music Alone Shall Live". - Focus on maintaining steady tempo while conducting. |
How does conducting help maintain rhythm in a musical performance?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 70
|
Observation
-Conducting assessment
-Leadership assessment
|
|
| 11 | 5 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Percussion Patterns
|
By the end of the
lesson, the learner
should be able to:
- Practice three-beat rhythmic patterns on percussion instruments. - Apply proper playing techniques. - Show creativity in rhythmic performance. |
Learner is guided to:
- Tap various three-beat rhythmic patterns on percussion instruments. - Focus on maintaining tempo, accuracy, consistency, and coordination. - Practice patterns like "taa taa ta-te" and "ta-te taa taa" in three-beat groupings. - Create their own three-beat patterns for practice. |
How are three-beat patterns performed on percussion instruments?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 70-71
|
Observation
-Performance assessment
-Technique assessment
|
|
| 11 | 6 |
CREATING AND EXECUTION
|
Rhythm and Pattern Making - Block Printing
|
By the end of the
lesson, the learner
should be able to:
- Understand block printing technique. - Identify materials for block printing. - Value traditional printing methods. |
Learner is guided to:
- Learn about block printing as a method for creating repeat patterns. - Understand how a design is carved onto a block, inked, and then pressed onto a surface. - Identify suitable materials for making printing blocks (wood, rubber, linoleum). - Discuss the qualities needed in block printing materials. |
Why is block printing effective for creating repeat patterns?
|
KLB VISIONARY Creative Arts Grade 6 Learner's Book Page 71-73
|
Observation
-Written assessment
-Self-assessment
|
|
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