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| WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 |
Foundation of Creative Arts and sports
|
Careers in Creative Arts And Sports - Careers in Creative Arts
|
By the end of the
lesson, the learner
should be able to:
-Identify careers in creative arts and sports -Describe the careers in creative arts and sport -Research using digital devices to identify and discuss carriers in creative arts and sports -Recognize the careers in creative arts and sports |
In groups, learners are guided to:
-Research using digital devices or print material to identify careers in creative arts -Discuss the careers in creative arts -Prepare charts showing different careers in creative arts -Watch clips on careers in creative arts and sports |
What are the careers in creative arts and sports?
|
- MENTOR pg. 1
-Video clips -Digital devices -Internet -Learners' textbook -Teachers' notes -Textbook |
- Oral questions
-Oral discussions
-Written notes
-Observation
|
|
| 1 | 2 |
Foundation of Creative Arts and sports
|
Careers in Creative Arts And Sports - Careers in Creative Arts
Components of Creative Arts and Sports - Elements of a Play |
By the end of the
lesson, the learner
should be able to:
-Illustrate entrepreneurial opportunities in creative arts and sports -Watch video recording entrepreneurial opportunities in creative arts and sports -Discuss the entrepreneurial activities -Acknowledge the entrepreneurial opportunities |
In groups or pairs, learners are guided to:
-Watch videos or recordings of entrepreneurial opportunities in creative arts -Discuss entrepreneurial opportunities in careers in creative arts -Search for more information -Write short notes on illustration -Prepare a chart on illustration of entrepreneurial opportunities |
What are your talents and areas of interest in creative arts and sports?
|
- MENTOR pg. 4
-Digital resources -Notebooks -Textbooks -Journals - MENTOR pg. 7 -Lesson notes |
- Practical activity
-Observation
-Peer assessment
-Portfolio
|
|
| 1 | 3 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Elements of a Play
Components of Creative Arts and Sports - Physical Fitness |
By the end of the
lesson, the learner
should be able to:
-Perform or Role play to show elements of a play -Express conflict and resolution -Highlight characters -Identify the language to use -Enjoy performing a short play |
In groups, learners should be guided to:
-Perform the play as they use digital devices to record -Share responsibilities -Decide and practice on language to use -Examine the elements of a play from performance |
How do you perform to show the basic elements of a play?
|
- MENTOR pg. 8
-Digital resources -Costumes -Open space or class -Textbooks -Teachers notes -Video clips - MENTOR pg. 10 -Digital devices |
- Practical activity
-Assessment rubrics
-Observation
-Oral questions
|
|
| 1 | 4 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Physical Fitness
Components of Creative Arts and Sports - Rhythm |
By the end of the
lesson, the learner
should be able to:
-Perform activities demonstrating the components of fitness -Observe actual or virtual activities on performance activities demonstrating fitness -Enjoy performing the activities |
In groups or pairs, learners are guided to:
-Demonstrate fitness exercise -Practice activities that enhance power and reaction time |
How do you perform activities demonstrating the components of fitness?
|
- MENTOR pg. 12
-Digital devices -Lesson notes - MENTOR pg. 42 -Digital resources -Descant recorder -Video clips |
- Assessment rubrics
-Checklist
-Oral questions
|
|
| 1 | 5 |
Foundation of Creative Arts and sports
|
Components of Creative Arts and Sports - Note Extension
Components of Creative Arts and Sports - Grand Staff Components of Creative Arts and Sports - Scale of F Major |
By the end of the
lesson, the learner
should be able to:
-State or define note expression -Discuss notes and ties as components of note extension -Group music notes in 4/4 time including note extension -Acknowledge the importance of dots and ties in music |
In groups, learners are guided to:
-Use digital or print resources for search -Explain dot and ties as components of note extension -Write signs for tied notes -Collaborate in music notes 4/4 time incorporating note extension |
Why is note extension in music notation important?
|
- MENTOR pg. 44
-Lesson notes -Charts -Digital resources -Piano -Lesson notes -Digital devices -Textbooks - MENTOR pg. 16 -Music instruments - MENTOR pg. 23 |
- Assessment rubrics
-Checklist
-Written questionnaires
-Oral questions
|
|
| 2 | 1 |
Creating And Performing
|
Drawing and Painting - Texture, Colour, Unity and Harmony
|
By the end of the
lesson, the learner
should be able to:
-Identify textures in pictures -Describe how texture affects harmony -Create texture through drawing techniques -Value the role of texture in art |
In groups, learners are guided to:
-Examine artworks to identify different textures -Discuss how texture relates to color and unity -Practice creating different textures through drawing -Share observations about texture in artworks |
How do artists create texture in drawings?
|
- MENTOR pg. 30
-Sample drawings with textures -Drawing materials -Digital resources -Textbooks - MENTOR pg. 31 -Color samples -Paintings |
- Practical activity
-Observation
-Portfolio assessment
|
|
| 2 | 2 |
Creating And Performing
|
Drawing and Painting - Analogous Colors
|
By the end of the
lesson, the learner
should be able to:
-Define the term painting -Paint a color wheel to classify analogous colors -Study harmony -Search how to paint a color wheel from digital devices -Outline materials needed to paint a color wheel -Enjoy painting a color wheel |
In groups or pairs, learners are guided to:
-Paint a color wheel to classify analogous colors -Collaborate on the materials for coloring a color wheel -Watch video clips or digital devices for procedures of painting a color wheel |
How do you paint a color wheel to classify analogous colors?
|
- MENTOR pg. 33
-Digital devices -Lesson notes -Paint -Textbook -Manila papers -Color wheel -Analogous colors -Charts/manillas -Digital resources - MENTOR pg. 34 -Color wheels -Sample artworks -Paintings |
- Assessment rubrics
-Oral questions
-Practical activity
|
|
| 2 | 3 |
Creating And Performing
|
Drawing and Painting - Analogous Colors and Color Harmony
Drawing and Painting - Color Harmony |
By the end of the
lesson, the learner
should be able to:
-Classify analogous colors on a color wheel for painting -Paint a line strip using a pair of analogous colors to study harmony and color -Define the term analogous colors in painting -Appreciate analogous colors in painting |
In groups or pairs, learners are guided to:
-State the meaning of analogous colors in painting -Identify analogous colors in painting -Classify analogous colors in color wheel -Discuss uses of different analogous colors in painting -Watch a video clip on different analogous colors |
How do you illustrate a color gradation strip for color harmony?
|
- MENTOR pg. 36
-Digital devices -Lesson notes -Paint -Textbook -Manila colors - MENTOR pg. 37 -Paint supplies -Color strips -Brushes -Water containers -Sample gradations |
- Assessment rubrics
-Oral questions
-Practical activity
|
|
| 2 | 4 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Identify scenic points for composition -Study landscape and seascape compositions -Observe how artists use color and texture in scenery -Appreciate environmental beauty |
In groups, learners are guided to:
-Use digital devices to observe landscape/seascape pictures -Analyze how color, harmony, mood and texture are used -Take a field walk to identify scenic points -Discuss potential compositions based on observations |
What makes a compelling landscape or seascape composition?
|
- MENTOR pg. 38
-Sample landscape paintings -Digital resources -Field trip location -Drawing materials - MENTOR pg. 39 -Drawing books -Pencils -Rulers -Sample sketches |
- Oral discussions
-Written notes
-Observation
-Field reports
|
|
| 2 | 5 |
Creating And Performing
|
Drawing and Painting - Scenery Composition
|
By the end of the
lesson, the learner
should be able to:
-Apply wash technique for background -Create backgrounds with appropriate colors -Demonstrate proper brush control -Value the role of background in composition |
In groups, learners are guided to:
-Mix watercolors to a dilute state -Apply wash technique for backgrounds -Create appropriate atmospheric effects -Share techniques for effective backgrounds |
How does the background affect the overall composition?
|
- MENTOR pg. 40
-Watercolors -Brushes -Water containers -Paper -Digital resources -Partially completed paintings -Paint supplies -Samples of textured paintings - MENTOR pg. 41 -Nearly completed paintings -Display area |
- Practical activity
-Observation
-Portfolio assessment
|
|
| 3 | 1 |
Creating And Performing
|
Rhythm - Effects of Note Extension
Rhythm - Value Extension |
By the end of the
lesson, the learner
should be able to:
-Describe the effect of note extension on rhythmic patterns -State what dotted notes are -Clap durations of dotted notes -Appreciate note extension in rhythmic patterns |
In groups or pairs, learners are guided to:
-Listen to, sing or play tunes involving dotted notes to outline effects of note extension in rhythmic patterns -Clap the durations of dotted notes -Recite French rhythm names for rhythmic patterns |
What are the effects of note extension on rhythmic patterns?
|
- MENTOR pg. 42
-Digital resources -Lesson notes -Charts -Piano - MENTOR pg. 43 -Charts showing note values -Music notation examples -Percussion instruments |
- Assessment rubrics
-Oral questions
-Written questions
|
|
| 3 | 2 |
Creating And Performing
|
Rhythm - Dictation
Rhythm - Time Signature |
By the end of the
lesson, the learner
should be able to:
-Listen to rhythmic patterns played by teacher -Write down rhythmic patterns on monotone -Indicate time signature and bar lines -Insert French rhythm names -Compare work with classmates |
In pairs, learners are guided to:
-Listen to rhythmic patterns played by the teacher -Write down the rhythmic patterns on monotone -Indicate the time signature and bar lines -Insert the French rhythm names |
How can various note combinations be used to form rhythms in simple time?
|
- MENTOR pg. 43
-Digital resources -Lesson notes -Music instruments -Video clips - MENTOR pg. 44 -Charts showing beat patterns -Music in 4/4 time -Percussion instruments |
- Assessment rubrics
-Checklist
-Oral questions
-Written questions
|
|
| 3 | 3 |
Creating And Performing
|
Rhythm - Compose Rhythmic Pattern
Rhythm - Group Activity |
By the end of the
lesson, the learner
should be able to:
-Compose a four-bar rhythmic pattern in 4/4 time -Sing songs while marking strong and weak beats -Clap or tap rhythms -Appreciate rhythmic patterns in music |
In groups, learners are guided to:
-Sing songs with clear rhythmic patterns -Mark strong beats with a clap or tap while singing -Clap the song's rhythm while marking both strong and weak beats -Compose four-bar rhythmic patterns |
How can one improvise accompaniment patterns for sports?
|
- MENTOR pg. 44
-Digital resources -Music instruments -Video clips -Percussion instruments - MENTOR pg. 45 -Cardboard -Markers -Scissors -Bowl |
- Assessment rubrics
-Practical activity
-Checklist
|
|
| 3 | 4 |
Creating And Performing
|
Rhythm - Beat Numbering
Rhythm - Composition Rhythm - Group Performance |
By the end of the
lesson, the learner
should be able to:
-Number beats in rhythmic patterns -Apply French rhythm names to patterns -Analyze rhythmic patterns -Value systematic approach to rhythm |
In groups, learners are guided to:
-Study rhythmic patterns with numbered beats -Number beats in given examples -Write corresponding French rhythm names -Compare and discuss results |
Why is beat numbering important in understanding rhythm?
|
- MENTOR pg. 45
-Rhythmic pattern examples -Digital resources -Music notation -Charts - MENTOR pg. 46 -Staff paper -Pencils -Percussion instruments -Student compositions -Performance space |
- Written work
-Observation
-Assessment rubrics
-Class discussion
|
|
| 3 | 5 |
Creating And Performing
|
Rhythm - Notating Rhythmic Pattern
Rhythm - Rhythm Writing Rules |
By the end of the
lesson, the learner
should be able to:
-Notate four-bar rhythms in 4/4 time from dictation -Identify rhythmic patterns -Write rhythmic patterns -Appreciate rhythmic patterns as a means of creating interest in creative arts and sports |
In groups, learners are guided to:
-Study rhythmic patterns -Number the beats in each bar -Write corresponding French rhythm names -Create rhythmic patterns -Clap or tap rhythmic patterns |
How can one notate four-bar rhythms in 4/4 time?
|
- MENTOR pg. 46
-Digital resources -Music instruments -Percussion instruments -Charts - MENTOR pg. 47 -Staff paper -Pencils -Charts showing notation rules |
- Assessment rubrics
-Practical activity
-Checklist
|
|
| 4 | 1 |
Creating And Performing
|
Rhythm - Body Percussion
Athletics and Mosaic - Triple Jump |
By the end of the
lesson, the learner
should be able to:
-Create body percussion performances -Combine different percussion sounds -Perform rhythmically accurate patterns -Appreciate body percussion as expression |
In groups, learners are guided to:
-Identify body percussion techniques (clapping, snapping, etc.) -Create short rhythmic pieces using body percussion -Perform individually and as groups -Record performances for feedback |
How can body percussion enhance rhythmic expression?
|
- MENTOR pg. 48
-Video examples of body percussion -Digital recording devices -Performance space -Music with clear rhythms - MENTOR pg. 54 -Digital devices -Video clips -Open field |
- Performance assessment
-Peer evaluation
-Video analysis
-Observation
|
|
| 4 | 2 |
Creating And Performing
|
Athletics and Mosaic - Approach and Take-off
Athletics and Mosaic - Hop and Step |
By the end of the
lesson, the learner
should be able to:
-Demonstrate the approach phase in Triple jump -Execute proper take-off technique -Maintain proper body position -Value correct technique in athletics |
In groups, learners are guided to:
-Practice running along the runway in long strides -Demonstrate proper alignment and upright posture -Practice taking off horizontally with speed -Provide feedback to peers on technique |
How do you execute the approach and take-off phases of Triple jump correctly?
|
- MENTOR pg. 55
-Open field -Cones -Markers -Digital resources - MENTOR pg. 56 -Video clips |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 4 | 3 |
Creating And Performing
|
Athletics and Mosaic - Jump and Landing
Athletics and Mosaic - Complete Triple Jump Athletics and Mosaic - Long Distance Running |
By the end of the
lesson, the learner
should be able to:
-Demonstrate the jump phase in Triple jump -Execute proper landing technique -Complete the full Triple jump sequence -Value proper technique and safety |
In groups, learners are guided to:
-Practice jumping from the opposite leg -Propel forward for maximum distance -Bring both legs together for landing -Practice the complete sequence (hop-step-jump) |
How can you maximize distance in the jump phase while maintaining control for landing?
|
- MENTOR pg. 56
-Sand pit -Open field -Markers -Digital resources - MENTOR pg. 57 -Digital recording devices - MENTOR pg. 58 -Textbooks -Pictures of famous runners -Videos of races |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 4 | 4 |
Creating And Performing
|
Athletics and Mosaic - Starting Technique
Athletics and Mosaic - Arm Action and Stride |
By the end of the
lesson, the learner
should be able to:
-Demonstrate proper starting position -Execute proper body positioning -Apply correct foot placement -Value good foundation for running |
In groups, learners are guided to:
-Practice proper starting position -Position feet correctly behind the starting line -Bend knees slightly and lean forward -Practice starting on command |
How does proper starting technique affect long distance performance?
|
- MENTOR pg. 58
-Running track -Markers -Stopwatch -Digital resources |
- Practical activity
-Assessment rubrics
-Observation
-Peer feedback
|
|
| 4 | 5 |
Creating And Performing
|
Athletics and Mosaic - Pacing and Breathing
Athletics and Mosaic - Practice Run |
By the end of the
lesson, the learner
should be able to:
-Maintain consistent pacing in running -Apply proper breathing techniques -Regulate energy expenditure -Value energy conservation strategies |
In groups, learners are guided to:
-Practice maintaining consistent pace -Develop rhythmic breathing techniques -Keep the body relaxed while running -Discuss strategies for energy conservation |
Why is proper pacing crucial in long distance running?
|
- MENTOR pg. 59
-Running track -Stopwatch -Digital resources -Training plans -Water -First aid kit |
- Practical activity
-Assessment rubrics
-Observation
-Training log review
|
|
| 5 | 1 |
Creating And Performing
|
Athletics and Mosaic - Mosaic Characteristics
Athletics and Mosaic - Monomedia |
By the end of the
lesson, the learner
should be able to:
-Explore characteristics of mosaic in sample pictures -Define mosaic -Identify characteristic of mosaic -Appreciate mosaic as an art form |
In groups, learners are guided to:
-Source for actual and virtual samples of mosaic work to analyze characteristics with focus on mono media and spacing of materials -Discuss how the coil technique is used in mosaic -Discuss why clay is a suitable material for mosaic |
How can mosaic pictorial composition be used to improve the environment?
|
- MENTOR pg. 59
-Digital resources -Sample pictures -Textbooks - MENTOR pg. 60 -Sample mosaics -Collection of materials |
- Portfolio
-Observation
-Oral questions
|
|
| 5 | 2 |
Creating And Performing
|
Athletics and Mosaic - Materials Collection
Athletics and Mosaic - Planning and Sketching |
By the end of the
lesson, the learner
should be able to:
-Collect materials for mosaic creation -Identify suitable support surfaces -Select appropriate adhesives -Value recycling and resource management |
In groups, learners are guided to:
-Brainstorm locally available materials -Collect materials for mosaic of a Kenyan athlete -Sort and prepare materials by color -Discuss sustainability in material selection |
What considerations are important when selecting materials for mosaic?
|
- MENTOR pg. 60
-Collected materials -Storage containers -Digital resources -Sample mosaics -Drawing materials -Support surfaces -Color samples |
- Materials assessment
-Observation
-Group discussion
-Planning documents
|
|
| 5 | 3 |
Creating And Performing
|
Athletics and Mosaic - Creating Mosaic
Athletics and Mosaic - Completing Mosaic Melody - Variation Techniques |
By the end of the
lesson, the learner
should be able to:
-Apply adhesive correctly -Place monomedia with proper spacing -Create backgrounds first -Work systematically on mosaic |
In groups, learners are guided to:
-Apply adhesive to sections of support surface -Place monomedia pieces with proper spacing -Work from background to foreground -Maintain consistent spacing and alignment |
What techniques ensure proper placement of monomedia in mosaic?
|
- MENTOR pg. 61
-Prepared materials -Adhesive -Support surfaces -Work surfaces -Completed mosaic materials -Display area -Digital camera for documentation - MENTOR pg. 68 -Digital resources -Music recordings -Musical instruments |
- Process assessment
-Observation
-Technical application review
-Progress documentation
|
|
| 5 | 4 |
Creating And Performing
|
Melody - Analyzing Phrases
Melody - Rhythm Variation |
By the end of the
lesson, the learner
should be able to:
-Identify phrases in melodies -Analyze question and answer phrases -Recognize melodic shapes -Value structure in music |
In groups, learners are guided to:
-Listen to a melody and identify phrases -Discuss which phrases have the same melody, words and rhythm -Add dynamic variations to phrases -Sing songs with attention to phrasing |
What makes phrases work together in a melody?
|
- MENTOR pg. 69
-Music scores -Audio recordings -Digital resources -Musical instruments - MENTOR pg. 70 -Staff paper -Percussion instruments |
- Oral questions
-Written analysis
-Listening assessment
-Observation
|
|
| 5 | 5 |
Creating And Performing
|
Melody - Scale of F Major
Melody - Scale Practice |
By the end of the
lesson, the learner
should be able to:
-Perform the scale of F major and its tonic arpeggio -Sing the scale with sol-fa hand signs -Write the scale of F major -Appreciate the characteristic sound of F major |
In groups, learners are guided to:
-Perform the scale of F major and its tonic arpeggio -Sing the scale of F major both ascending and descending using sol-fa syllables -Study the music phrases and compare -Discuss the pitches and the rhythm |
What are the characteristics of the F Major scale?
|
- MENTOR pg. 71
-Digital resources -Musical instruments -Staff paper -Music notation software - MENTOR pg. 72 -Scale notation -Keyboard or piano |
- Practical activity
-Assessment rubrics
-Observation
|
|
| 6 | 1 |
Creating And Performing
|
Melody - Answering Phrases
Melody - Opening Phrases |
By the end of the
lesson, the learner
should be able to:
-Write a 2-bar answering phrase -Apply variation techniques to answering phrases -Create balanced musical sentences -Value the question-answer structure |
In groups, learners are guided to:
-Study given opening phrases -Create rhythmic patterns for answering phrases -Apply both rhythmic and melodic variations -Create melodies for answering phrases ending on 'do' |
How should an answering phrase relate to the opening phrase?
|
- MENTOR pg. 73
-Staff paper -Musical instruments -Digital resources -Example phrases - MENTOR pg. 74 -Example answer phrases |
- Composition assessment
-Portfolio review
-Peer critique
-Performance of compositions
|
|
| 6 | 2 |
Creating And Performing
|
Melody - Composing Melodies
Melody - Notating Melodies Melody - Performing Melodies |
By the end of the
lesson, the learner
should be able to:
-Compose a four-bar melody in F Major and 4/4 time -Write a 2-bar answering phrase in F major -Use melodic and rhythmic variations -Value the process of melody composition |
In groups, learners are guided to:
-Compose a four-bar melody in F Major in 4/4 time -Ensure bars 1-2 are question phrases with feeling of incompleteness -Make bars 3-4 answer phrases with feeling of completeness -Use melodic, rhythmic or dynamic variations |
How can phrases be constructed to create a complete melody?
|
- MENTOR pg. 76
-Digital resources -Musical instruments -Staff paper -Music notation software - MENTOR pg. 78 - MENTOR pg. 80 -Melody recordings -Performance space |
- Project
-Portfolio
-Assessment rubrics
-Observation
|
|
| 6 | 3 |
Creating And Performing
|
Rugby - Different Passes
Rugby - Basic Pass |
By the end of the
lesson, the learner
should be able to:
-Distinguish passes in Rugby -Identify the spin, pop and basic passes -Describe the execution of the passes -Appreciate passing as a fundamental skill in Rugby |
In groups, learners are guided to:
-Watch a live or virtual Rugby game to identify passes -Discuss how the passes are executed -Research using digital devices on different passes in Rugby |
What are the best ways to advance a ball in a game of Rugby?
|
- MENTOR pg. 84
-Digital resources -Rugby balls -Playing field -Video clips - MENTOR pg. 85 |
- Observation
-Oral questions
-Practical activity
|
|
| 6 | 4 |
Creating And Performing
|
Rugby - Spin Pass
Rugby - Pop Pass |
By the end of the
lesson, the learner
should be able to:
-Describe the spin pass in Rugby -Demonstrate proper technique for spin pass -Execute passes with proper spin -Value specialized skills in sports |
In groups, learners are guided to:
-Study the technique for spin pass -Practice holding the ball with thumb on one side, fingers on other -Execute the flicking motion for proper spin -Practice the spin pass with partners |
How does the spin action improve pass effectiveness in Rugby?
|
- MENTOR pg. 86
-Rugby balls -Playing field -Digital resources -Video demonstrations - MENTOR pg. 87 |
- Practical activity
-Technical assessment
-Peer evaluation
-Observation
|
|
| 6 | 5 |
Creating And Performing
|
Rugby - Pass Demonstrations
Rugby - Group Practice |
By the end of the
lesson, the learner
should be able to:
-Perform passing skills in Rugby -Demonstrate all three pass types -Execute passes with proper technique -Value versatility in sports skills |
In groups, learners are guided to:
-Stand in pairs facing each other -Practice all three passes on command -Focus on proper technique for each pass -Take turns demonstrating each pass type |
How can you distinguish when to use each type of pass?
|
- MENTOR pg. 87
-Rugby balls -Playing field -Digital resources -Visual cue cards - MENTOR pg. 88 -Markers for positions |
- Practical demonstration
-Technical assessment
-Response time assessment
-Observation
|
|
| 7 | 1 |
Creating And Performing
|
Rugby - Kicking Techniques
Rugby - Performing Kicks |
By the end of the
lesson, the learner
should be able to:
-Identify different kicks in Rugby -Describe the drop and place kick -Understand kick applications -Value diverse skills in sports |
In groups, learners are guided to:
-Watch demonstrations of different kicks -Discuss the technique for drop and place kicks -Identify game situations for each kick type -Research Rugby kicking strategies |
What factors determine kick selection in Rugby?
|
- MENTOR pg. 89
-Rugby balls -Kicking tees -Digital resources -Video demonstrations - MENTOR pg. 90 -Playing field |
- Oral questions
-Written assessment
-Research presentation
-Class discussion
|
|
| 7 | 2 |
Creating And Performing
|
Rugby - Modified Game
Rugby - Skill Review Photography - Different Viewpoints |
By the end of the
lesson, the learner
should be able to:
-Apply passing and kicking in gameplay -Make appropriate skill selections -Demonstrate teamwork and strategy -Value application of skills in competition |
In groups, learners are guided to:
-Participate in modified Rugby games -Apply the skills of passing and kicking -Make strategic decisions during gameplay -Observe the rules of the game and safety |
How do skills practice translate to effective gameplay?
|
- MENTOR pg. 91
-Rugby balls -Playing field -Markers/cones -Safety equipment - MENTOR pg. 92 -Assessment checklists -Digital recording devices - MENTOR pg. 95 -Digital cameras/smartphones -Sample photographs -Digital resources -Textbooks |
- Game performance assessment
-Strategic decision evaluation
-Teamwork assessment
-Observation
|
|
| 7 | 3 |
Creating And Performing
|
Photography - Normal Viewpoint
Photography - Bird's Eye Viewpoint |
By the end of the
lesson, the learner
should be able to:
-Describe normal eye viewpoint -Identify characteristics of normal viewpoint photos -Analyze sample photographs -Value perspective in visual communication |
In groups, learners are guided to:
-Study photographs taken from normal eye level -Discuss advantages and limitations of normal viewpoint -Identify subjects best photographed from eye level -Analyze composition elements in normal viewpoint |
How does normal viewpoint affect viewer perception of an image?
|
- MENTOR pg. 96
-Sample photographs -Digital resources -Digital cameras/smartphones -Display equipment - MENTOR pg. 97 |
- Photo analysis
-Written work
-Oral discussions
-Visual literacy assessment
|
|
| 7 | 4 |
Creating And Performing
|
Photography - Worm's Eye Viewpoint
Photography - Taking Photographs |
By the end of the
lesson, the learner
should be able to:
-Describe worm's eye viewpoint -Identify characteristics of low-angle photos -Analyze sample photographs -Value creative perspectives in art |
In groups, learners are guided to:
-Study photographs taken from below subjects -Discuss how worm's eye view affects subject perception -Identify subjects best photographed from below -Analyze composition elements in low-angle shots |
How does worm's eye viewpoint create impact in photography?
|
- MENTOR pg. 97
-Sample photographs -Digital resources -Digital cameras/smartphones -Display equipment - MENTOR pg. 98 -Photography locations -Digital storage |
- Photo analysis
-Written work
-Oral discussions
-Visual literacy assessment
|
|
| 7 | 5 |
Creating And Performing
|
Photography - Ethics
Photography - Presenting Photographs |
By the end of the
lesson, the learner
should be able to:
-Identify ethical issues in photography -Apply ethical principles when taking photos -Respect subjects' rights and dignity -Value responsible photography |
In groups, learners are guided to:
-Brainstorm ethical issues in photography -Discuss consequences of unethical photography -Research photography ethics guidelines -Role-play ethical decision-making scenarios |
What responsibilities do photographers have to their subjects?
|
- MENTOR pg. 99
-Digital resources -Ethics guidelines -Case studies -Role-play scenarios - MENTOR pg. 100 -Digital devices -Presentation software -Display equipment -Digital photographs |
- Written work
-Role-play evaluation
-Class discussion
-Ethical scenario resolution
|
|
| 8 | 1 |
Creating And Performing
|
Descant Recorder - Fingering of Notes
Descant Recorder - Playing Techniques Descant Recorder - Scale of F Major |
By the end of the
lesson, the learner
should be able to:
-Identify the fingering of notes in the scale of F major -Use correct finger positions -Produce clear sounds -Appreciate the importance of proper technique |
In groups, learners are guided to:
-Read and interpret fingering charts to play the notes of F major scale -Practice finger positions for each note -Observe proper recorder techniques while playing -Give feedback to peers |
What are the correct fingerings for notes in F major on the descant recorder?
|
- MENTOR pg. 102
-Descant recorders -Fingering charts -Digital resources -Music scores - MENTOR pg. 104 -Tutorial videos - MENTOR pg. 106 -Staff paper |
- Practical activity
-Assessment rubrics
-Observation
|
|
| 8 |
midterm break |
||||||||
| 9 | 1 |
Creating And Performing
|
Descant Recorder - Simple Melodies
Descant Recorder - Performance Directions |
By the end of the
lesson, the learner
should be able to:
-Play simple melodies in the scale of F major -Apply correct fingering and breathing -Follow notation accurately -Value musical expression |
In groups, learners are guided to:
-Play simple melodies in the scale of F major on staff notation -Focus on accurate pitch and rhythm -Apply proper breathing at phrase marks -Practice with attention to musicality |
How do you maintain accurate pitch and rhythm when playing melodies?
|
- MENTOR pg. 107
-Descant recorders -Simple melody scores -Digital resources -Metronome - MENTOR pg. 108 -Music scores with directions -Demonstration recordings |
- Melody performance assessment
-Accuracy evaluation
-Observation
-Peer feedback
|
|
| 9 | 2 |
Creating And Performing
|
Descant Recorder - Solo Pieces
Play - Format of a Script |
By the end of the
lesson, the learner
should be able to:
-Perform a solo piece in F major on a descant recorder -Apply correct playing techniques -Follow performance directions -Value playing music on the descant recorder |
In groups, learners are guided to:
-Study the music score for "Early One Morning" -Analyze rhythm and pitch aspects -Practice the piece with attention to details -Perform for peer feedback |
How can performance directions be applied when playing the descant recorder?
|
- MENTOR pg. 109
-Descant recorders -Music scores -Digital recording devices -Performance space - MENTOR pg. 112 -Play scripts -Digital resources -Textbooks -Video recordings of plays |
- Practical activity
-Assessment rubrics
-Observation
-Peer assessment
-Portfolio
|
|
| 9 | 3 |
Creating And Performing
|
Play - Script Reading
Play - Elements of a Play |
By the end of the
lesson, the learner
should be able to:
-Read aloud from a play script -Use appropriate expression and emphasis -Follow stage directions in reading -Value vocal interpretation in drama |
In groups, learners are guided to:
-Conduct a "cold reading" of a play script in a circle -Follow stage directions during reading -Apply appropriate vocal expression -Discuss character motivations |
How does reading aloud enhance understanding of a play?
|
- MENTOR pg. 113
-Play scripts -Chairs arranged in circle -Digital resources -Reading guides - MENTOR pg. 115 -Video recordings of plays -Textbooks |
- Reading performance
-Vocal expression assessment
-Following directions evaluation
-Peer feedback
|
|
| 9 | 4 |
Creating And Performing
|
Play - Societal Issues
Play - Creating a Play Play - Warm-up Activities |
By the end of the
lesson, the learner
should be able to:
-Identify societal issues suitable for plays -Analyze how plays address social concerns -Recognize plays as vehicles for commentary -Value drama as social communication |
In groups, learners are guided to:
-Recall plays that address societal issues -Identify central themes in these plays -Discuss how issues were presented and resolved -Connect plays to current social concerns |
How can plays effectively address societal issues?
|
- MENTOR pg. 116
-Example plays with social themes -Digital resources -News articles -Community resources -Writing materials -Sample play scripts -Societal issues resources - MENTOR pg. 117 -Open space -Warm-up instruction cards -Audio for breathing exercises |
- Issue identification assessment
-Analysis of play effectiveness
-Written work
-Class discussion
|
|
| 9 | 5 |
Creating And Performing
|
Play - Rehearsing
Play - Blocking |
By the end of the
lesson, the learner
should be able to:
-Participate in warm-up activities -Rehearse a role in the play -Apply vocal and physical techniques -Collaborate effectively with others |
In groups, learners are guided to:
-Perform vocal and physical warm up activities in preparation for play performance -Rehearse a role in the play (paying attention to use of voice, body, movement, space) -Provide constructive feedback to peers -Refine their performances |
How does rehearsal improve a theatrical performance?
|
- MENTOR pg. 118
-Play scripts -Props -Costumes -Music -Rehearsal space - MENTOR pg. 119 -Stage area diagrams -Open performance space |
- Practical activity
-Observation
-Peer assessment
-Assessment rubrics
|
|
| 10 | 1 |
Creating And Performing
|
Play - Dress Rehearsal
Play - Performance |
By the end of the
lesson, the learner
should be able to:
-Participate in a dress rehearsal -Use costumes and props appropriately -Perform the full play with technical elements -Value feedback for improvement |
In groups, learners are guided to:
-Perform the play with all costumes and props -Invite a small audience for feedback -Review performance constructively -Make final adjustments based on feedback |
What can be learned from a dress rehearsal that cannot be learned in regular rehearsals?
|
- MENTOR pg. 120
-Costumes -Props -Performance space -Audience feedback forms - MENTOR pg. 121 -Play scripts -Music -Audience |
- Complete performance assessment
-Audience feedback analysis
-Observation
-Group reflection
|
|
| 10 | 2 |
Creating And Performing
|
Play - Reflection
Basketball and Logo Design - Passing Skills |
By the end of the
lesson, the learner
should be able to:
-Reflect on the play performance -Analyze strengths and areas for improvement -Discuss audience response -Value the process of theatrical creation |
In groups, learners are guided to:
-Discuss the performance experience -Review audience feedback -Identify successful elements and challenges -Discuss how effectively the play addressed its issue |
How does reflection enhance future theatrical work?
|
- MENTOR pg. 122
-Performance recordings -Audience feedback -Reflection journals -Discussion space - MENTOR pg. 123 -Digital resources -Basketball court -Basketballs -Video clips |
- Reflection quality assessment
-Group discussion
-Written reflection
-Improvement planning
|
|
| 10 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Performing Passes in Basketball
Basketball and Logo Design - Performing the Overhead Pass |
By the end of the
lesson, the learner
should be able to:
- Distinguish passes in Basketball. - Perform passing skills in Basketball. - Appreciate each other's skills in Basketball game. |
The learner is guided to:
- Watch a live or virtual Basketball game and identify the passing skills in Basketball. - Discuss the execution of the skills. - Share ideas with classmates. |
How can a poster be made an effective means of communicating?
|
- Mentor Creative Arts and Sports Learner's Book pg. 123
- Digital devices - Basketball court - Basketball - Mentor Creative Arts and Sports Learner's Book pg. 124 - Digital resources |
- Observation
- Oral questions
- Assessment rubrics
- Written questions
|
|
| 10 | 4 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Performing the Bounce Pass
Basketball and Logo Design - Performing the Chest Pass Basketball and Logo Design - Practicing Different Passes |
By the end of the
lesson, the learner
should be able to:
- Explain the bounce pass technique. - Perform the bounce pass in Basketball. - Appreciate the importance of proper technique in passing. |
The learner is guided to:
- Perform warm up activities. - Demonstrate the bounce pass. - Practice the bounce pass in pairs. - Give feedback to each other. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 126
- Basketball - Open space - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 127 - Digital devices - Mentor Creative Arts and Sports Learner's Book pg. 128 |
- Practical activity
- Observation
- Checklist
- Peer assessment
|
|
| 10 | 5 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Executing Dribbling in Basketball
Basketball and Logo Design - Performing High Dribble |
By the end of the
lesson, the learner
should be able to:
- Identify dribbling techniques in Basketball. - Distinguish between high and low dribble. - Appreciate dribbling as a fundamental skill in Basketball. |
The learner is guided to:
- Use digital resources to observe dribbling skills. - Identify high and low dribbles from videos. - Discuss the execution of dribbling techniques. - Share observations with others. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 128
- Digital devices - Basketball - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 129 - Open space/court - Digital resources |
- Oral questions
- Written responses
- Observation
|
|
| 11 | 1 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Performing Low Dribble
Basketball and Logo Design - Combining Dribbling Skills |
By the end of the
lesson, the learner
should be able to:
- Describe the low dribble technique. - Demonstrate the low dribble in Basketball. - Appreciate proper technique in skill execution. |
The learner is guided to:
- Study pictures of low dribble. - Describe body position and differences from high dribble. - Perform warm up activities. - Practice low dribble technique. - Give each other feedback. |
Why is it important to combine passing and dribbling in Basketball?
|
- Mentor Creative Arts and Sports Learner's Book pg. 130
- Basketball - Open space/court - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 131 - Cones/markers - Open space |
- Practical activity
- Observation
- Peer assessment
- Checklist
|
|
| 11 | 2 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Designing a Logo for a Basketball Team
Basketball and Logo Design - Creating a Basketball Team Logo |
By the end of the
lesson, the learner
should be able to:
- Analyze the features of a Basketball team logo. - Identify the purpose of a team logo. - Appreciate logos as identification symbols. |
The learner is guided to:
- Study pictures of actual Basketball logos. - Identify team names and slogans in logos. - Discuss how logos inspire players and fans. - Share ideas with classmates. |
How can a poster be made an effective means of communicating?
|
- Mentor Creative Arts and Sports Learner's Book pg. 132
- Digital devices - Sample logos - Chart papers - Mentor Creative Arts and Sports Learner's Book pg. 133 - Drawing books - Pencils - Digital devices |
- Oral questions
- Written responses
- Group discussions
|
|
| 11 | 3 |
Creating and Performing in Creative Arts and Sports
|
Basketball and Logo Design - Refining and Finalizing Logo Design
Basketball and Logo Design - Applying Skills in a Modified Game Indigenous Kenyan Crafts - Pottery |
By the end of the
lesson, the learner
should be able to:
- Create a final logo design for a Basketball team. - Apply color appropriately in the design. - Appreciate creativity in visual representation. |
The learner is guided to:
- Refine their sketches into a final design. - Apply appropriate colors to the logo. - Ensure the logo is clear and recognizable. - Display completed logos for appreciation. |
How can a poster be made an effective means of communicating?
|
- Mentor Creative Arts and Sports Learner's Book pg. 134
- Paint/colored pencils - Drawing books - Manila paper - Digital resources - Basketball - Team logos - Open space - Mentor Creative Arts and Sports Learner's Book pg. 143 - Digital resources - Sample pottery items - Video clips |
- Project assessment
- Portfolio
- Peer review
- Exhibition
|
|
| 11 | 4 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Pottery Techniques
Indigenous Kenyan Crafts - Preparing Clay for Pottery |
By the end of the
lesson, the learner
should be able to:
- Explain clay preparation procedures for pottery. - Identify suitable clay for pottery. - Value indigenous knowledge in craft making. |
The learner is guided to:
- Use digital devices to find information on clay sources and preparation. - Discuss different types of clay and their properties. - Share information on clay preparation procedures. - Identify local sources of clay for pottery. |
Why is clay the preferred material for pottery?
|
- Mentor Creative Arts and Sports Learner's Book pg. 144
- Digital resources - Sample clay - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 145 - Clay - Water container - Sieves - Canvas/sacks |
- Oral discussions
- Written responses
- Question and answer
- Research reports
|
|
| 11 | 5 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Modeling a Vessel Using Coil Method
Indigenous Kenyan Crafts - Decorating and Drying Clay Vessel |
By the end of the
lesson, the learner
should be able to:
- Create uniform coils from prepared clay. - Model a vessel using the coil technique. - Show patience during the creative process. |
The learner is guided to:
- Make coils of uniform thickness. - Roll coils to form a base. - Score the clay coil and add slip. - Join the clay coils to form a vessel. - Smoothen the inside and outside of the vessel. |
Why is clay the preferred material for pottery?
|
- Mentor Creative Arts and Sports Learner's Book pg. 146
- Prepared clay - Water - Sponge - Working surface - Mentor Creative Arts and Sports Learner's Book pg. 147 - Clay vessels - Forks/spoons - Table knife - Textured objects |
- Practical activity
- Observation
- Product assessment
- Peer feedback
|
|
| 12 | 1 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Firing Clay Vessels
Indigenous Kenyan Crafts - Making a Frame Loom for Weaving |
By the end of the
lesson, the learner
should be able to:
- Explain the firing process for pottery. - Fire clay vessels using an open pit kiln. - Observe safety during the firing process. |
The learner is guided to:
- Dig a pit about 2 feet deep in a dry area. - Place firewood at the bottom and light a fire. - Place completely dry clay works on the charcoal. - Add more firewood and fire them for about 5 hours. - Cover the pit with soil and leave overnight. - Unearth the clay works the following day. |
Why is clay the preferred material for pottery?
|
- Mentor Creative Arts and Sports Learner's Book pg. 147
- Dry clay vessels - Firewood - Matches - Digging tools - Mentor Creative Arts and Sports Learner's Book pg. 148 - Digital resources - Sample looms - Video clips |
- Practical activity
- Observation
- Product assessment
- Safety checklist
|
|
| 12 | 2 |
Creating and Performing in Creative Arts and Sports
|
Indigenous Kenyan Crafts - Constructing a Frame Loom
Indigenous Kenyan Crafts - Making a Fabric Using 2/1 Twill Weaving Indigenous Kenyan Crafts - Completing a Woven Fabric |
By the end of the
lesson, the learner
should be able to:
- Make a wooden mitre joint frame loom. - Prepare the loom for weaving. - Demonstrate teamwork during construction. |
The learner is guided to:
- Collaboratively make a wooden mitre joint frame loom. - Ensure equal spacing of nails around the frame. - Secure the joints for stability. - Prepare the loom for weaving. |
How is a fabric woven?
|
- Mentor Creative Arts and Sports Learner's Book pg. 148
- Wooden planks - Nails - Hammer - Measuring tools - Mentor Creative Arts and Sports Learner's Book pg. 149 - Frame loom - Yarn/threads - Cardboard strip - Scissors - Mentor Creative Arts and Sports Learner's Book pg. 150 - Frame loom with work in progress - Scissors - Additional yarn - Display area |
- Practical activity
- Observation
- Product assessment
- Group evaluation
|
|
| 12 | 3 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Body Positioning in Standing Dive
Swimming - Techniques for Standing Dive |
By the end of the
lesson, the learner
should be able to:
- Describe the body position in standing dive. - Identify water entry techniques in swimming. - Value safety in water activities. |
The learner is guided to:
- Discuss the various safe ways of water entry into the pool. - Study pictures showing standing dive technique. - Describe the positioning of arms, legs, trunk and head in standing dive. - Share ideas with classmates. |
How can swimming skills be performed safely?
|
- Mentor Creative Arts and Sports Learner's Book pg. 157
- Digital resources - Video clips - Pictures - Mentor Creative Arts and Sports Learner's Book pg. 158 - Swimming pool (if available) |
- Oral discussions
- Written responses
- Question and answer
|
|
| 12 | 4 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Performing Standing Dive
Swimming - Body Positioning in Butterfly Stroke |
By the end of the
lesson, the learner
should be able to:
- Demonstrate a standing dive in swimming. - Execute proper body positioning during dive. - Show responsibility in following safety rules. |
The learner is guided to:
- Perform warm up activities. - Stand at the edge of the deep end of the pool. - Get into ready position for standing dive. - Practice pushing off and diving into the pool. - Give feedback to each other. - Observe safety measures. |
How can swimming skills be performed safely?
|
- Mentor Creative Arts and Sports Learner's Book pg. 159
- Swimming pool - Swimming attire - First aid kit - Mentor Creative Arts and Sports Learner's Book pg. 160 - Digital resources - Video clips - Pictures |
- Practical activity
- Observation
- Peer feedback
- Safety checklist
|
|
| 12 | 5 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Techniques for Butterfly Stroke
Swimming - Performing Butterfly Stroke Components |
By the end of the
lesson, the learner
should be able to:
- Explain the technique for prone body position in butterfly stroke. - Describe breathing, arm action, and leg action in butterfly stroke. - Value coordination in swimming techniques. |
The learner is guided to:
- Discuss prone body position for butterfly stroke. - Analyze breathing technique during butterfly stroke. - Explain arm action in butterfly stroke (catch, pull, recovery). - Describe leg action (dolphin kicks) in butterfly stroke. |
Why is synchrony important in butterfly stroke?
|
- Mentor Creative Arts and Sports Learner's Book pg. 161
- Digital resources - Video clips - Pictures - Diagrams - Mentor Creative Arts and Sports Learner's Book pg. 162 - Swimming pool - Kickboards - Pull buoys - Swimming attire |
- Oral discussions
- Written responses
- Diagrammatic representations
- Question and answer
|
|
| 13 | 1 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Performing Leg Actions in Butterfly Stroke
Swimming - Performing Breathing Technique in Butterfly Stroke |
By the end of the
lesson, the learner
should be able to:
- Demonstrate leg actions for butterfly stroke. - Coordinate leg movements in water. - Appreciate teamwork in learning new skills. |
The learner is guided to:
- Use kickboard to practice dolphin kicks. - Perform leg action with kickboard support. - Practice simultaneous upward and downward leg movements. - Give feedback to each other. - Observe safety measures. |
Why is synchrony important in butterfly stroke?
|
- Mentor Creative Arts and Sports Learner's Book pg. 163
- Swimming pool - Kickboards - Swimming attire - First aid kit - Pull buoys - Swimming attire |
- Practical activity
- Observation
- Peer feedback
- Safety checklist
|
|
| 13 | 2 |
Creating and Performing in Creative Arts and Sports
|
Swimming - Combining Butterfly Stroke Components
Swimming - Playing Water Games Kenyan Indigenous Games - Board Games |
By the end of the
lesson, the learner
should be able to:
- Perform the complete butterfly stroke. - Coordinate arm, leg, and breathing actions. - Appreciate swimming as a life skill. |
The learner is guided to:
- Perform prone body position. - Execute arm and leg actions simultaneously. - Coordinate breathing with arm movements. - Practice full butterfly stroke in the shallow end. - Give feedback to each other. - Observe safety measures. |
Why is synchrony important in butterfly stroke?
|
- Mentor Creative Arts and Sports Learner's Book pg. 164
- Swimming pool - Swimming attire - First aid kit - Mentor Creative Arts and Sports Learner's Book pg. 165 - Floaters - Mentor Creative Arts and Sports Learner's Book pg. 167 - Digital resources - Pictures of board games - Sample boards |
- Practical activity
- Observation
- Peer feedback
- Safety checklist
|
|
| 13 | 3 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Learning Bao
Kenyan Indigenous Games - Playing Bao |
By the end of the
lesson, the learner
should be able to:
- Describe the Bao board game structure. - Identify the rules of playing Bao. - Value indigenous knowledge in games. |
The learner is guided to:
- Watch demonstrations of playing Bao. - Pay attention to game demonstration. - Note main points on how to play Bao. - Discuss important steps in playing the game. - Share ideas with classmates. |
Why are board games considered an indigenous game?
|
- Mentor Creative Arts and Sports Learner's Book pg. 168
- Digital resources - Bao boards - Seeds/stones - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 170 - Seeds/stones/pebbles - Digital resources |
- Oral discussions
- Written responses
- Observation
- Question and answer
|
|
| 13 | 4 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Improvising Bao Board
Kenyan Indigenous Games - Playing Bao Game |
By the end of the
lesson, the learner
should be able to:
- Create improvised Bao boards. - Prepare materials for playing Bao. - Value creativity in game preparation. |
The learner is guided to:
- Improvise boards for playing Bao. - Use wooden planks, manila paper, or make holes in the ground. - Collect seeds, pebbles, or stones as playing pieces. - Prepare the board with correct number of pits. |
Why are board games considered an indigenous game?
|
- Mentor Creative Arts and Sports Learner's Book pg. 172
- Wooden planks - Manila paper - Seeds/stones - Carving tools - Mentor Creative Arts and Sports Learner's Book pg. 173 - Improvised Bao boards - Seeds/stones/pebbles - Digital resources |
- Practical activity
- Observation
- Product assessment
- Creativity evaluation
|
|
| 13 | 5 |
Creating and Performing in Creative Arts and Sports
|
Kenyan Indigenous Games - Learning Shisima
Kenyan Indigenous Games - Playing Shisima Kenyan Indigenous Games - Playing with Background Music Kenyan Indigenous Games - Mental Health Benefits |
By the end of the
lesson, the learner
should be able to:
- Describe the Shisima board game. - Explain the origin and purpose of Shisima. - Appreciate cultural significance of games. |
The learner is guided to:
- Watch demonstrations of playing Shisima. - Note that Shisima is from the Tiriki community. - Learn that Shisima means "body of water" and imbalavali means "water bugs". - Understand the aim of bringing three beads in a row. |
How do indigenous board games enhance mental relaxation?
|
- Mentor Creative Arts and Sports Learner's Book pg. 174
- Digital resources - Shisima boards - Beads/stones - Video clips - Mentor Creative Arts and Sports Learner's Book pg. 175 - Improvised Shisima boards - Digital resources - Mentor Creative Arts and Sports Learner's Book pg. 176 - Board games - Playing pieces - Music players - Indigenous music - Mentor Creative Arts and Sports Learner's Book pg. 177 - Video clips - Reference materials |
- Oral discussions
- Written responses
- Observation
- Question and answer
|
|
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