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WK | LSN | STRAND | SUB-STRAND | LESSON LEARNING OUTCOMES | LEARNING EXPERIENCES | KEY INQUIRY QUESTIONS | LEARNING RESOURCES | ASSESSMENT METHODS | REFLECTION |
---|---|---|---|---|---|---|---|---|---|
1 |
OPENING AND REPORTING |
||||||||
2 | 1 |
Creating and Execution
|
Composing Melody - Introduction to melody
|
By the end of the
lesson, the learner
should be able to:
- Sing a lullaby - Hum the melody of a song - Identify high and low sounds in a song |
- Sing the song "Go to sleep"
-Hum the song -Compare singing and humming the song -Identify parts of the song that sound high -Identify parts of the song that sound low -Learn about pitch in music |
How are high and low sounds identified in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 65
-Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
2 | 2 |
Creating and Execution
|
Composing Melody - Sol-fa syllables and ladder
|
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables d, r, m - Sing up and down the sol-fa ladder - Value the importance of sol-fa in music |
- Observe the sol-fa ladder
-Sing d r m up the ladder -Sing m r d down the ladder -Identify which sol-fa syllable sounds the highest -Identify which sol-fa syllable sounds the lowest |
How does the sol-fa ladder represent pitch?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Sol-fa ladder chart |
- Observation
-Performance assessment
-Oral questions
|
|
2 | 3 |
Creating and Execution
|
Composing Melody - Performing melodies
|
By the end of the
lesson, the learner
should be able to:
- Perform simple melodies using sol-fa syllables - Work together in group performances - Give constructive feedback on performances |
- Perform three given melodies
-Sing in groups -Comment on each group's performance -Discuss challenges faced during performance -Suggest ways to improve |
How can melodies be performed effectively?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 66
-Charts showing melodies |
- Observation
-Performance assessment
-Peer assessment
|
|
2 | 4 |
Creating and Execution
|
Composing Melody - Sol-fa in "Go to sleep"
|
By the end of the
lesson, the learner
should be able to:
- Identify sol-fa syllables in "Go to sleep" - Sing the song using sol-fa syllables - Hum the melody of the song |
- Study the sol-fa syllables for "Go to sleep"
-Sing the song -Sing the sol-fa syllables for the song -Hum the song -Discuss patterns in the sol-fa syllables |
How are sol-fa syllables used in lullabies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 67
-Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
2 | 5 |
Creating and Execution
|
Composing Melody - Sol-fa in "Hot cross bun"
Composing Melody - Hand signs for sol-fa syllables |
By the end of the
lesson, the learner
should be able to:
- Search for the melody of "Hot cross bun" - Fill in correct sol-fa syllables - Sing with correct pitching |
- Search for the melody of "Hot cross bun" using digital devices
-Sing the song -Fill in the correct sol-fa syllables -Note that the melody begins on 'm' -Sing the sol-fa syllables correctly |
How can digital devices help in learning melodies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 68
-Digital devices -Song charts - Mentor Creative Arts Grade 4 Learner's Book, pg. 69 -Charts showing hand signs |
- Observation
-Performance assessment
-Written assignments
|
|
2 | 6 |
Creating and Execution
|
Composing Melody - Practicing sol-fa with hand signs
|
By the end of the
lesson, the learner
should be able to:
- Practice singing sol-fa syllables with hand signs - Perform hand signs for given sol-fa patterns - Work with others in musical activities |
- Practice singing d, r, m with hand signs
-Sing up and down the sol-fa ladder with hand signs -Perform hand signs for given sol-fa patterns -Write sol-fa syllables for given hand signs -Work in pairs to practice |
How can hand signs enhance learning of sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 69
-Charts showing hand signs |
- Observation
-Performance assessment
-Peer assessment
|
|
3 | 1 |
Creating and Execution
|
Composing Melody - Hand signs in "Mary had a little lamb"
|
By the end of the
lesson, the learner
should be able to:
- Sing "Mary had a little lamb" with hand signs - Follow sol-fa syllables in the song - Appreciate hand signs as learning tools |
- Sing "Mary had a little lamb" while performing hand signs
-Follow the sol-fa syllables provided for the song -Perform the song in groups -Give feedback on each other's performance |
How can hand signs be applied to familiar songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 70
-Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Peer assessment
|
|
3 | 2 |
Creating and Execution
|
Composing Melody - Free hand lettering of sol-fa
|
By the end of the
lesson, the learner
should be able to:
- Study artwork showing lettering - Write letters neatly in exercise book - Value neatness in written work |
- Study artwork showing lettering
-Identify what is shown in the pictures -Write letters neatly in exercise book -Practice writing sol-fa syllables using free hand lettering |
How can free hand lettering be applied to sol-fa syllables?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Writing materials |
- Observation
-Written work
-Peer assessment
|
|
3 | 3 |
Creating and Execution
|
Composing Melody - Identifying sol-fa in songs
|
By the end of the
lesson, the learner
should be able to:
- Sing a simple song to classmates - Identify sol-fa syllables in the song - Record self using digital device |
- Sing a simple song to classmates
-Let friends identify the sol-fa syllables -Sing the sol-fa pitches using hand signs -Record self using a digital device -Share recording with teacher |
How can sol-fa syllables be identified in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 71
-Digital devices |
- Observation
-Performance assessment
-Project work
|
|
3 | 4 |
Creating and Execution
|
Composing Melody - Steps to identify sol-fa
|
By the end of the
lesson, the learner
should be able to:
- Follow steps to identify sol-fa notes - Sing along to recordings - Identify 'd' syllable in songs |
- Learn steps to identify sol-fa notes in a song
-Sing along to recordings or hum to melodies -Practice singing sol-fa syllables up and down -Identify the 'd' syllable as a reference point -Note down sol-fa syllables in songs |
What steps help in identifying sol-fa notes in songs?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Digital devices -Song recordings |
- Observation
-Oral questions
-Demonstration
|
|
3 | 5 |
Creating and Execution
|
Composing Melody - Stepwise motion
|
By the end of the
lesson, the learner
should be able to:
- Sing a song with stepwise motion - Identify how sol-fa syllables are connected - Identify repeated sol-fa syllables |
- Sing the song "All through the night"
-Identify how sol-fa syllables are connected -Identify which sol-fa syllables are repeated -Show sol-fa syllables following each other using hand signs -Learn about stepwise motion in melody |
What is stepwise motion in a melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 72
-Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
3 | 6 |
Creating and Execution
|
Composing Melody - Sound duration in melody
|
By the end of the
lesson, the learner
should be able to:
- Identify short and long sounds in a song - Clap the rhythm of a song - Understand sound duration in melody |
- Study the words of "Pease porridge hot"
-Sing the first line of the song -Clap the rhythm of the song while reading the words -Identify short and long sounds in the song -Learn about sound duration in melody |
How does sound duration affect melody?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 73
-Song charts |
- Observation
-Performance assessment
-Oral questions
|
|
4 | 1 |
Creating and Execution
|
Composing Melody - Starting and ending melodies
|
By the end of the
lesson, the learner
should be able to:
- Sing "Go to sleep" with sol-fa syllables - Identify starting and ending sol-fa syllables - Value proper melody construction |
- Sing "Go to sleep" with sol-fa syllables
-Identify which syllable the song starts on -Identify which syllable the song ends on -Discuss how the song sounds when ending -Learn about starting and ending on 'd' |
Why is starting and ending on 'd' important in melodies?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 74
-Song charts with sol-fa syllables |
- Observation
-Performance assessment
-Oral questions
|
|
4 | 2 |
Creating and Execution
|
Composing Melody - Creating short melodies
|
By the end of the
lesson, the learner
should be able to:
- Follow guidelines for creating melodies - Complete given melody patterns - Create original melodies using d, r, m |
- Learn guidelines for creating melodies using d, r, m
-Complete given melody patterns -Compose original melodies using d, r, m -Ensure melodies start and end on 'd' -Share melodies with classmates |
How can short melodies be created using d, r, m?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials |
- Observation
-Project work
-Peer assessment
|
|
4 | 3 |
Creating and Execution
|
Composing Melody - Creating melodies with rhythm
Composing Melody - Making clay slabs (1) |
By the end of the
lesson, the learner
should be able to:
- Use rhythm patterns to create melodies - Combine rhythm and pitch in melodies - Show creativity in melody composition |
- Use given rhythm patterns to create melodies
-Create melodies using d, r, m with various rhythms -Ensure melodies start and end on 'd' -Perform created melodies -Give feedback on each other's compositions |
How can rhythm and pitch be combined in melody creation?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 75
-Writing materials - Mentor Creative Arts Grade 4 Learner's Book, pg. 76 -Clay -Polythene paper -Ruler |
- Observation
-Project work
-Peer assessment
|
|
4 | 4 |
Creating and Execution
|
Composing Melody - Making clay slabs (2)
|
By the end of the
lesson, the learner
should be able to:
- Roll clay to create even slabs - Mark out rectangular shapes of different sizes - Cut out clay slabs neatly |
- Take a rolling pin and roll clay
-Mark out rectangular shapes of different sizes -Cut out the shapes carefully -Ensure the slabs are of even thickness -Set aside to partially dry |
How are clay slabs prepared for making sol-fa models?
|
- Mentor Creative Arts Grade 4 Learner's Book, pg. 76
-Clay -Rolling pin -Cutting tools |
- Observation
-Project work
-Peer assessment
|
|
4 | 5 |
Performance and Display
|
Athletics - Introduction to sprint starts and sprinting techniques
Athletics - Medium sprint start technique demonstration |
By the end of the
lesson, the learner
should be able to:
- Define sprinting as running at high speed over short distances - Describe different types of sprint starts for races - Show interest in learning about athletics |
- Observe pictures of learners in sprinting positions
- Discuss different types of sprint starts (medium and elongated) - Share personal experiences about participating in sprinting activities - Watch demonstration/video clips of different sprint starts |
Why is appropriate posture important in sprinting?
|
- Mentor Creative Arts pg. 80
- Digital devices for video demonstrations - Open space for practical activities - Mentor Creative Arts pg. 82 - Open space with marked lines - Digital devices for recording performances |
- Observation
- Oral questions
- Written assignments
|
|
4 | 6 |
Performance and Display
|
Athletics - Medium sprint start technique demonstration
Athletics - Medium sprint start technique practice |
By the end of the
lesson, the learner
should be able to:
- Demonstrate the "set" position in medium sprint start - Execute the starting movement following "go" command - Value the importance of proper technique in athletic performance |
- Practice the "set" position with hips raised higher than shoulders
- Practice the starting movement on "go" command - Practice the complete sequence: "on your marks, set, go" - Give feedback to peers on their medium sprint start technique |
How does the "set" position prepare a runner for an effective start?
|
- Mentor Creative Arts pg. 83
- Open space with marked starting line - Whistle - Mentor Creative Arts pg. 84 - Open space with marked starting and finishing lines |
- Observation
- Peer assessment
- Skill progression charts
|
|
5 | 1 |
Performance and Display
|
Athletics - Elongated sprint start technique demonstration
Athletics - Elongated sprint start technique practice |
By the end of the
lesson, the learner
should be able to:
- Identify the characteristics of elongated sprint start - Explain the body positioning in elongated sprint start - Appreciate different sprint start techniques |
- Study pictures of elongated sprint start position
- Discuss the hand and body position, eye focus, and foot placement - Compare elongated sprint start with medium sprint start - Watch demonstration of elongated sprint start |
How does elongated sprint start differ from medium sprint start?
|
- Mentor Creative Arts pg. 85
- Digital devices for video demonstrations - Open space for practice - Mentor Creative Arts pg. 86 - Open space with marked starting and finishing lines - Whistle |
- Observation
- Oral questions
- Written assignments
|
|
5 | 2 |
Performance and Display
|
Athletics - Body posture, acceleration, transition, and finish in sprinting
Athletics - Sprinting techniques practice Athletics - Reading and understanding the Kenya National Anthem |
By the end of the
lesson, the learner
should be able to:
- Describe the phases of sprinting technique - Explain how to accelerate when sprinting - Show interest in proper sprinting technique |
- Study pictures of sprinting technique
- Discuss body positioning in different phases of sprinting - Explore how to increase speed during acceleration - Learn about proper finishing technique |
How can proper body alignment improve sprinting speed?
|
- Mentor Creative Arts pg. 87
- Digital devices for video clips - Open space for demonstration - Mentor Creative Arts pg. 88 - Open space with marked lines - Stopwatch - Mentor Creative Arts pg. 91 - Chart with Kenya National Anthem words - Audio recording of Kenya National Anthem |
- Observation
- Oral questions
- Written assignments
|
|
5 | 3 |
Performance and Display
|
Athletics - Singing the Kenya National Anthem in groups
|
By the end of the
lesson, the learner
should be able to:
- Sing the Kenya National Anthem with proper pronunciation - Apply appropriate tempo when singing the anthem - Show respect while singing the national anthem |
- Practice singing the Kenya National Anthem in groups
- Focus on accuracy in tune and proper pronunciation - Maintain appropriate tempo during singing - Observe appropriate etiquette during anthem performance |
How does singing the national anthem promote patriotism?
|
- Mentor Creative Arts pg. 91
- Audio recording of Kenya National Anthem - Chart with Kenya National Anthem words |
- Observation
- Performance analysis
- Peer assessment
|
|
5 | 4 |
Performance and Display
|
Athletics - Studying the Kenyan flag colors and arrangement
|
By the end of the
lesson, the learner
should be able to:
- Identify the colors of the Kenyan flag - Describe the arrangement of colors on the flag - Appreciate the symbolism of the Kenyan flag |
- Search for images of the Kenyan flag from virtual sources
- Study the colors and their arrangement on the flag - Discuss the symbolism of each color and the shield - Watch video clips about the Kenyan flag |
What does the Kenyan flag symbolize?
|
- Mentor Creative Arts pg. 90
- Digital devices for searching images - Chart showing the Kenyan flag |
- Observation
- Oral questions
- Written assignments
|
|
5 | 5 |
Performance and Display
|
Athletics - Sketching and painting the Kenyan flag
|
By the end of the
lesson, the learner
should be able to:
- Sketch the Kenyan flag on paper - Paint the flag using the correct colors - Value the importance of neatness in artwork |
- Sketch the Kenyan flag on paper
- Paint the flag observing the correct color arrangement - Apply proper painting techniques for neat results - Display completed flags for peer feedback |
How should colors be arranged on the Kenyan flag?
|
- Mentor Creative Arts pg. 91
- Paper, pencils, rulers - Paints (black, red, green, white) - Brushes |
- Observation
- Project assessment
- Peer critique
|
|
5 | 6 |
Performance and Display
|
Athletics - Attaching the flag to a suitable handle
|
By the end of the
lesson, the learner
should be able to:
- Select suitable material for a flag handle - Attach the painted flag to the handle securely - Demonstrate pride in creating a national symbol |
- Collect suitable materials for flag handles
- Apply glue on one end of the flag paper - Attach the flag to the handle securely - Test the flag by waving it gently |
Why is proper attachment of the flag to the handle important?
|
- Mentor Creative Arts pg. 92
- Completed painted flags - Materials for handles (sticks, dowels) - Glue |
- Observation
- Project assessment
- Peer critique
|
|
6 | 1 |
Performance and Display
|
Athletics - Practicing medium starts in pairs
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate medium start technique in pairs - Give constructive feedback to peers on their technique - Show willingness to improve through practice |
- Work in pairs to practice medium sprint starts
- Focus on proper arm and leg action during starts - Give feedback to partners on their technique - Refine technique based on feedback received |
How does partnered practice improve sprint start technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked starting lines - Whistle |
- Observation
- Peer assessment
- Skill progression charts
|
|
6 | 2 |
Performance and Display
|
Athletics - Practicing sprinting technique in pairs
|
By the end of the
lesson, the learner
should be able to:
- Execute sprinting technique with proper body alignment - Maintain maximum speed during a sprint - Value the role of practice in improving performance |
- Practice proper sprinting technique in pairs
- Focus on start, arm and leg action, and finish - Mark lines to practice sprinting for short distances - Provide feedback to partners on technique |
What are the key elements of proper sprinting technique?
|
- Mentor Creative Arts pg. 89
- Open space with marked lines - Stopwatch |
- Observation
- Performance analysis
- Peer assessment
|
|
6 | 3 |
Performance and Display
|
Athletics - Participating in sprint competitions
|
By the end of the
lesson, the learner
should be able to:
- Apply sprint start and sprinting techniques in competition - Participate actively in organized sprint events - Demonstrate sportsmanship during competition |
- Organize sprint competitions in groups
- Apply learned sprint starts and running techniques - Participate in hurray, back and forth activity - Practice two push-ups and run activity |
How does competition enhance learning of athletic skills?
|
- Mentor Creative Arts pg. 89
- Open space with marked track - Whistle - Stopwatch |
- Observation
- Performance analysis
- Competition results
|
|
6 | 4 |
Performance and Display
|
Athletics - Participating in sprint competitions
|
By the end of the
lesson, the learner
should be able to:
- Apply learned techniques in sprint races - Run to and from marked points with maximum speed - Show enthusiasm for athletic competitions |
- Mark starting and finishing lines for races
- Take turns to run races with maximum speed - Cheer for classmates during races - Use a stopwatch to time performances |
How can timing performances help improve sprint technique?
|
- Mentor Creative Arts pg. 90
- Open space with marked lines - Stopwatch - Whistle |
- Observation
- Performance analysis
- Timed results
|
|
6 | 5 |
Performance and Display
|
Athletics - Recording and critiquing sprint performances
|
By the end of the
lesson, the learner
should be able to:
- Record sprint performances using digital devices - Critique application of sprint techniques in recordings - Appreciate the use of technology in improving performance |
- Use digital devices to record sprint performances
- Play back recordings for analysis - Critique application of starting and sprinting techniques - Identify areas for improvement based on recordings |
How can recording performances help improve athletic technique?
|
- Mentor Creative Arts pg. 90
- Digital devices for recording - Open space for sprint activities - Playback equipment |
- Observation
- Performance analysis
- Self-assessment
|
|
6 | 6 |
Performance and Display
|
Athletics - Importance of the flag and anthem during events
Athletics - Sprint competition with flag and anthem |
By the end of the
lesson, the learner
should be able to:
- Explain why the flag is raised during athletic events - Describe the importance of singing the anthem at events - Value national symbols during sporting events |
- Study pictures of flag raising during athletic events
- Discuss the significance of raising the flag during events - Explore the importance of singing the anthem at events - Role-play a flag raising and anthem singing ceremony |
Why is flying the flag important during athletics events?
|
- Mentor Creative Arts pg. 92
- Pictures of athletic events with flag raising - Painted flags with handles - Audio recording of Kenya National Anthem - Open space with marked track - Kenyan flags - Audio equipment for anthem - Stopwatch |
- Observation
- Oral questions
- Written assignments
|
|
7 | 1 |
Performance and Display
|
Athletics - Athletic event appreciation
|
By the end of the
lesson, the learner
should be able to:
- Identify the sprint starts learned in sprinting - Describe the sprinting techniques learned - Appreciate the value of athletics in physical development |
- Review different sprint starts learned (medium, elongated)
- Summarize sprinting techniques learned throughout the unit - Discuss the importance of recovery after athletic activities - Share experiences from participating in sprint events |
What have we learned about sprint techniques that can help us in future athletic activities?
|
- Mentor Creative Arts pg. 92
- Charts showing sprint techniques - Digital devices with recorded performances |
- Observation
- Oral questions
- Written assignments
|
|
7 | 2 |
Performance and Display
|
Athletics - Sprint skills assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of sprint starts and techniques - Explain the symbolism of the Kenyan flag - Show pride in national symbols during athletic events |
- Demonstrate medium and elongated sprint starts
- Show proper sprinting technique in short races - Explain the importance of the flag and anthem in athletics - Demonstrate proper flag handling and anthem etiquette |
How do athletics and national symbols connect to form a complete sporting experience?
|
- Mentor Creative Arts pg. 92
- Open space with marked track - Kenyan flags - Assessment sheets |
- Observation
- Performance assessment
- Oral evaluation
|
|
7 | 3 |
Performance and Display
|
Gymnastics - Introduction to balances and rolls in gymnastics
|
By the end of the
lesson, the learner
should be able to:
- Define gymnastic balances and rolls - Identify different types of balances and rolls - Show interest in learning gymnastic skills |
- Observe pictures/videos of gymnastic balances and rolls
- Discuss different types of balances (head, crab) and rolls (backward, side) - Share personal experiences with gymnastics - Explore safety considerations in gymnastics |
How does performance of rolls and balances enhance gymnastics?
|
- Mentor Creative Arts pg. 94
- Digital devices for video demonstrations - Pictures of gymnastic positions - Safe practice area with mats |
- Observation
- Oral questions
- Written assignments
|
|
7 | 4 |
Performance and Display
|
Gymnastics - Crab balance demonstration and practice
|
By the end of the
lesson, the learner
should be able to:
- Describe the steps of performing crab balance - Demonstrate initial positioning for crab balance - Appreciate the importance of balance in gymnastics |
- Watch video clip/demonstration of crab balance
- Observe body positioning of head, hands, and feet - Discuss how to maintain balance during the pose - Practice sitting position with knees bent for crab balance |
How is weight distributed in the crab balance position?
|
- Mentor Creative Arts pg. 95
- Digital devices for video demonstrations - Safe practice area with mats |
- Observation
- Skill progression chart
- Peer assessment
|
|
7 | 5 |
Performance and Display
|
Gymnastics - Crab balance technique practice
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate pushing up into crab balance position - Maintain the crab balance position for several seconds - Show confidence in performing gymnastic skills |
- Practice placing hands below shoulders with fingers pointing to feet
- Practice lifting hips up into full crab position - Maintain the position while shifting weight to hands and legs - Practice lowering from the position safely |
What muscles are engaged during the crab balance?
|
- Mentor Creative Arts pg. 95
- Safe practice area with mats - Demonstration charts |
- Observation
- Performance analysis
- Self-assessment
|
|
7 | 6 |
Performance and Display
|
Gymnastics - Side roll demonstration and practice
|
By the end of the
lesson, the learner
should be able to:
- Describe the steps of performing side roll - Demonstrate starting position for side roll - Value the importance of proper technique in gymnastics |
- Watch video clip/demonstration of side roll
- Observe body positioning, starting and finishing positions - Discuss how to maintain balance during the roll - Practice sitting position with bent knees for side roll |
How does tucking the head affect the side roll movement?
|
- Mentor Creative Arts pg. 96
- Digital devices for video demonstrations - Safe practice area with mats |
- Observation
- Skill progression chart
- Peer assessment
|
|
8 | 1 |
Performance and Display
|
Gymnastics - Side roll technique practice
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate shifting weight to shoulders during side roll - Execute complete side roll with proper technique - Show perseverance in mastering gymnastic skills |
- Practice lowering shoulder and head to either side
- Practice shifting body weight to shoulders - Execute full side roll with proper technique - Practice standing back to starting position after roll |
What is the importance of sequence in performing side roll?
|
- Mentor Creative Arts pg. 97
- Safe practice area with mats - Demonstration charts |
- Observation
- Performance analysis
- Self-assessment
|
|
8 | 2 |
Performance and Display
|
Gymnastics - Singing patriotic songs during warm-up
|
By the end of the
lesson, the learner
should be able to:
- Identify patriotic songs suitable for warm-up - Sing patriotic songs with proper diction during warm-up - Appreciate the role of music in physical activities |
- Select appropriate patriotic songs for warm-up
- Practice singing songs with proper diction and rhythm - Perform general warm-up exercises while singing - Discuss how music enhances physical activities |
How does music support the performance of gymnastics?
|
- Mentor Creative Arts pg. 100
- Audio recordings of patriotic songs - Charts with song lyrics - Open space for warm-up activities |
- Observation
- Performance assessment
- Peer feedback
|
|
8 | 3 |
Performance and Display
|
Gymnastics - Playing rhythmic percussion instruments
|
By the end of the
lesson, the learner
should be able to:
- Identify percussion instruments for accompaniment - Play simple rhythms on percussion instruments - Show interest in combining music with gymnastics |
- Select appropriate percussion instruments (shakers, rattles, drum)
- Practice playing simple rhythmic patterns - Discuss how rhythm can complement gymnastic movements - Play instruments to accompany simple movements |
How do percussion instruments enhance gymnastic activities?
|
- Mentor Creative Arts pg. 97
- Percussion instruments (shakers, rattles, drums) - Demonstration charts of rhythmic patterns |
- Observation
- Performance assessment
- Peer feedback
|
|
8 | 4 |
Performance and Display
|
Gymnastics - Practicing the crab balance and side roll in pairs
|
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with proper technique - Provide constructive feedback to peers - Value teamwork in learning gymnastics |
- Form pairs for practice of crab balance and side roll
- Take turns performing while partner observes - Provide feedback on technique and form - Use markers to create practice areas |
How does peer feedback improve gymnastic performance?
|
- Mentor Creative Arts pg. 97
- Safe practice area with mats - Markers (lime or ash) for circles - Assessment checklists |
- Observation
- Peer assessment
- Skill progression charts
|
|
8 | 5 |
Performance and Display
|
Gymnastics - Group performance with percussion
Gymnastics - Relay performance practice |
By the end of the
lesson, the learner
should be able to:
- Perform crab balance and side roll in sequence - Accompany performances with percussion instruments - Demonstrate teamwork in group performances |
- Form two groups for alternate performances
- One group performs while the other plays percussion - Mark circles on the ground for performance areas - Alternate roles between performing and playing instruments |
How does group performance enhance individual skills?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for circles - Percussion instruments - Markers for lines - Whistle |
- Observation
- Group performance assessment
- Peer feedback
|
|
8 | 6 |
Performance and Display
|
Gymnastics - Reciting French rhythm names during roll performance
|
By the end of the
lesson, the learner
should be able to:
- Recite French rhythm names 'taa' and 'ta-te' - Coordinate recitation with side roll performance - Appreciate the connection between rhythm and movement |
- Form groups and stand in lines
- Mark line and place cones for activity - Recite 'taa' in ready position for side roll - Recite 'ta-te' while performing side roll - Repeat until reaching the cones |
How do rhythmic patterns enhance gymnastic movements?
|
- Mentor Creative Arts pg. 98
- Safe practice area with mats - Markers for lines - Cones for targets |
- Observation
- Performance analysis
- Rhythmic coordination assessment
|
|
9 |
MIDTERM EXAMINATIONS AND BREAK |
||||||||
10 | 1 |
Performance and Display
|
Gymnastics - Crab balance with rhythmic patterns
|
By the end of the
lesson, the learner
should be able to:
- Perform crab balance with rhythmic movement - Coordinate movement with French rhythm names - Value the integration of rhythm and gymnastics |
- Mark a square on the ground for activity
- Stand at corners of the square - Perform crab balance on command - Move in crab walk while chanting 'taa' and 'ta-te' - Match steps to rhythm pattern |
How does rhythmic chanting improve coordination during crab walk?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Markers for square - Rhythm charts |
- Observation
- Performance analysis
- Coordination assessment
|
|
10 | 2 |
Performance and Display
|
Gymnastics - Peer assessment of gymnastics skills
|
By the end of the
lesson, the learner
should be able to:
- Evaluate peers' performance of gymnastic skills - Provide constructive feedback - Demonstrate respect for others' efforts |
- Create assessment checklists for gymnastic skills
- Observe partners performing crab balance and side roll - Complete checklists indicating strengths and areas for improvement - Share feedback in supportive manner |
How does assessment contribute to skill development?
|
- Mentor Creative Arts pg. 99
- Safe practice area with mats - Assessment checklists - Pencils |
- Observation
- Peer assessment
- Written evaluation
|
|
10 | 3 |
Performance and Display
|
Gymnastics - Group game with gymnastic skills
|
By the end of the
lesson, the learner
should be able to:
- Integrate gymnastic skills into group games - Sing songs during group activities - Show enjoyment in combining skills with games |
- Form two groups (taggers and runners)
- Sing "Watoto Wangu" song during activity - Run from taggers after song - Perform crab balance when tagged - Pass under crab balance to save tagged players |
How do games enhance the practice of gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area - Audio recording of song - Open space for game |
- Observation
- Participation assessment
- Group dynamics evaluation
|
|
10 | 4 |
Performance and Display
|
Gymnastics - Using digital devices to photograph gymnastics performances
|
By the end of the
lesson, the learner
should be able to:
- Take photographs of gymnastic performances - Focus on center of interest in photography - Show interest in documenting physical activities |
- Use digital devices to take photographs of crab balance and side roll
- Focus on center of interest in photographs - Take multiple shots from different angles - Review photographs for clarity and focus |
Why is the center of interest important in photography?
|
- Mentor Creative Arts pg. 97
- Digital devices with cameras - Safe practice area for gymnastics - Display equipment for reviewing photos |
- Observation
- Photo quality assessment
- Peer feedback
|
|
10 | 5 |
Performance and Display
|
Gymnastics - Creating a portfolio of gymnastics photographs
|
By the end of the
lesson, the learner
should be able to:
- Select appropriate photographs for portfolio - Store photographs in organized manner - Appreciate visual documentation of physical activities |
- Review photographs taken of gymnastic activities
- Select best photographs showing clear technique - Create digital folder/portfolio for storage - Organize photographs by skill type |
How can photography help improve gymnastic technique?
|
- Mentor Creative Arts pg. 98
- Digital devices with photography - Computer for portfolio organization - Photographs from previous lesson |
- Observation
- Portfolio assessment
- Self-evaluation
|
|
10 | 6 |
Performance and Display
|
Gymnastics - Home practice and documentation
|
By the end of the
lesson, the learner
should be able to:
- Create a plan for home practice of gymnastic skills - Use digital devices to record performances - Value practice outside of school setting |
- Plan simple gymnastic activities for home practice
- Listen to patriotic songs to accompany exercises - Record performances using digital devices - Share recorded performances with parents/guardians |
How can home practice reinforce gymnastic skills?
|
- Mentor Creative Arts pg. 100
- Planning templates - Digital devices for recording - List of safe home activities |
- Observation
- Practice plan assessment
- Self-reporting
|
|
11 | 1 |
Performance and Display
|
Gymnastics - Skills assessment
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate mastery of crab balance and side roll - Perform to rhythmic accompaniment - Show confidence in gymnastic abilities |
- Demonstrate crab balance and side roll individually
- Perform to rhythmic accompaniment of percussion or chanting - Evaluate own performance against criteria - Receive feedback from teacher and peers |
What progress have you made in gymnastics skills?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment checklists - Percussion instruments |
- Observation
- Performance assessment
- Self-evaluation
|
|
11 | 2 |
Performance and Display
|
Gymnastics - Self and peer assessment
|
By the end of the
lesson, the learner
should be able to:
- Evaluate own gymnastic performance - Assess peers' performances objectively - Appreciate the value of assessment in learning |
- Review criteria for successful gymnastic skills
- Perform crab balance and side roll for assessment - Complete self-assessment forms - Provide constructive feedback to peers |
How does assessment contribute to skill mastery?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Assessment forms - Pencils |
- Self-assessment
- Peer assessment
- Teacher observation
|
|
11 | 3 |
Performance and Display
|
Gymnastics - Skills integration
Descant Recorder - Exploring and identifying parts of a descant recorder |
By the end of the
lesson, the learner
should be able to:
- Combine crab balance and side roll in sequence - Perform to musical or rhythmic accompaniment - Show creativity in gymnastic performance |
- Create short sequences combining crab balance and side roll
- Add musical or rhythmic accompaniment - Perform sequences individually or in pairs - Provide feedback on integrated performances |
How does combining skills enhance gymnastic routines?
|
- Mentor Creative Arts pg. 100
- Safe practice area with mats - Percussion instruments - Audio equipment - Mentor Creative Arts pg. 125 - Descant recorders - Charts showing recorder parts - Pictures of recorders |
- Observation
- Performance assessment
- Creativity evaluation
|
|
11 | 4 |
Performance and Display
|
Descant Recorder - Learning to hold and blow the descant recorder
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture for holding recorder - Position mouth correctly on the mouthpiece - Appreciate the importance of proper technique |
- Study pictures of correct recorder holding position
- Practice holding the recorder with proper hand position - Position mouth correctly on the mouthpiece - Practice producing sound by gentle blowing |
How is a good tone produced on the descant recorder?
|
- Mentor Creative Arts pg. 129
- Descant recorders - Charts showing correct posture - Disinfectant wipes |
- Observation
- Performance assessment
- Peer feedback
|
|
11 | 5 |
Performance and Display
|
Descant Recorder - Assembling and disassembling the recorder
|
By the end of the
lesson, the learner
should be able to:
- Separate recorder into its component parts - Reassemble recorder correctly - Value careful handling of musical instruments |
- Practice separating recorder into three pieces
- Connect head joint to middle joint correctly - Attach foot joint to assembled parts - Position finger holes correctly for playing - Test assembled recorder by gentle blowing |
Why is correct assembly important for recorder playing?
|
- Mentor Creative Arts pg. 128
- Descant recorders - Charts showing assembly steps - Demonstration models |
- Observation
- Performance assessment
- Sequential task evaluation
|
|
11 | 6 |
Performance and Display
|
Descant Recorder - Learning care and maintenance of the recorder
|
By the end of the
lesson, the learner
should be able to:
- Describe methods of caring for a descant recorder - Demonstrate cleaning of the recorder - Show responsibility in instrument care |
- Study pictures of recorder cleaning
- Discuss ways of caring for and maintaining recorder - Demonstrate using cleaning rod and cloth - Discuss importance of not sharing recorders - Practice safe storage techniques |
Why is proper care of the descant recorder important?
|
- Mentor Creative Arts pg. 129
- Descant recorders - Cleaning rods - Clean cloths - Storage cases |
- Observation
- Oral questions
- Demonstration assessment
|
|
12 | 1 |
Performance and Display
|
Descant Recorder - Health considerations with recorders
|
By the end of the
lesson, the learner
should be able to:
- Explain the importance of hygiene with recorders - Identify diseases that can be caused by sharing - Value personal hygiene in music activities |
- Discuss importance of avoiding sharing recorders
- Identify communicable diseases related to sharing - Demonstrate proper cleaning before and after use - Practice proper storage to maintain hygiene |
Why is hygiene important when using the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Cleaning supplies - Charts on hygiene - Storage cases |
- Observation
- Oral questions
- Written assignments
|
|
12 | 2 |
Performance and Display
|
Descant Recorder - Practicing holding and blowing with appropriate fingering
|
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly on the recorder - Demonstrate correct hand position - Show interest in developing proper technique |
- Study finger position charts
- Practice left hand position on upper holes - Position right hand correctly on lower holes - Practice thumb placement for back hole - Blow gently to produce sound |
What is the correct fingering position for the descant recorder?
|
- Mentor Creative Arts pg. 130
- Descant recorders - Finger position charts - Demonstration models |
- Observation
- Performance assessment
- Fingering tests
|
|
12 | 3 |
Performance and Display
|
Descant Recorder - Collecting materials for making a recorder case
|
By the end of the
lesson, the learner
should be able to:
- Identify suitable materials for recorder case - Select appropriate materials based on function - Show creativity in resource selection |
- Discuss purposes of a recorder case
- Identify suitable materials (fabric, leather, yarn) - Collect recyclable materials for case making - Sort and prepare materials for use |
What materials are suitable for making a recorder case?
|
- Mentor Creative Arts pg. 132
- Sample materials (fabric, leather, yarn) - Recyclable materials - Storage containers |
- Observation
- Material selection assessment
- Resource collection evaluation
|
|
12 | 4 |
Performance and Display
|
Descant Recorder - Making a decorated case
|
By the end of the
lesson, the learner
should be able to:
- Create a case using appropriate technique - Apply color variation in case design - Value creativity in instrument accessories |
- Demonstrate stitching technique for fabric/leather case
- Practice crocheting technique for yarn case - Apply color variation in design - Size case appropriately for recorder |
What techniques can be used to create a functional recorder case?
|
- Mentor Creative Arts pg. 132
- Collected materials - Needles, thread - Crochet hooks - Scissors |
- Observation
- Project assessment
- Creativity evaluation
|
|
12 | 5 |
Performance and Display
|
Descant Recorder - Embellishing the case with found objects
|
By the end of the
lesson, the learner
should be able to:
- Select appropriate objects for embellishment - Attach objects securely to case - Demonstrate creative expression in design |
- Select found objects for embellishment
- Attach objects securely to recorder case - Ensure functionality is maintained - Present completed cases for feedback |
How does embellishment enhance the recorder case design?
|
- Mentor Creative Arts pg. 132
- Completed recorder cases - Found objects for decoration - Adhesives, thread |
- Observation
- Project assessment
- Peer critique
|
|
12 | 6 |
Performance and Display
|
Descant Recorder - Learning to play note B
|
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note B - Produce correct sound for note B - Show interest in playing musical notes |
- Watch demonstrations/videos of playing note B
- Practice closing back hole with left thumb - Place first finger of left hand on first hole - Support recorder with right hand thumb - Blow gently to produce B note |
How is note B played on the descant recorder?
|
- Mentor Creative Arts pg. 133
- Descant recorders - Charts showing B fingering - Digital devices for demonstrations |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
13 | 1 |
Performance and Display
|
Descant Recorder - Learning to play note A
Descant Recorder - Learning to play note G |
By the end of the
lesson, the learner
should be able to:
- Position fingers correctly for note A - Produce correct sound for note A - Show confidence in playing musical notes |
- Watch demonstrations/videos of playing note A
- Practice closing back hole with left thumb - Place first and second fingers on appropriate holes - Support recorder with right hand thumb - Blow gently to produce A note |
How is note A played on the descant recorder?
|
- Mentor Creative Arts pg. 134
- Descant recorders - Charts showing A fingering - Digital devices for demonstrations - Mentor Creative Arts pg. 135 - Charts showing G fingering |
- Observation
- Performance assessment
- Note accuracy evaluation
|
|
13 | 2 |
Performance and Display
|
Descant Recorder - Practicing appropriate playing techniques
|
By the end of the
lesson, the learner
should be able to:
- Demonstrate correct posture when playing - Apply appropriate blowing technique - Show perseverance in developing skills |
- Practice correct sitting/standing posture
- Focus on gentle blowing for clear tone - Practice correct finger positioning for each note - Apply appropriate breath control |
What contributes to good tone production on the recorder?
|
- Mentor Creative Arts pg. 136
- Descant recorders - Charts showing proper technique - Mirror for self-observation |
- Observation
- Performance assessment
- Technique evaluation
|
|
13 | 3 |
Performance and Display
|
Descant Recorder - Playing combined note patterns
|
By the end of the
lesson, the learner
should be able to:
- Play simple patterns combining G, A, B - Transition smoothly between notes - Demonstrate growing confidence in playing |
- Practice combined note patterns using G, A, B
- Focus on clean transitions between notes - Play simple exercises with alternating notes - Apply proper fingering technique |
How does finger movement affect note transitions?
|
- Mentor Creative Arts pg. 137
- Descant recorders - Combined note pattern charts - Transition exercises |
- Observation
- Performance assessment
- Transition fluency evaluation
|
|
13 | 4 |
Performance and Display
|
Descant Recorder - Playing simple melodies
|
By the end of the
lesson, the learner
should be able to:
- Play "Merrily We Roll Along" melody - Follow rhythm notation while playing - Value accuracy in musical performance |
- Study the notation for "Merrily We Roll Along"
- Identify note patterns in the melody - Practice playing sections of the melody - Combine sections into complete melody - Focus on rhythm and note accuracy |
How do note patterns form a complete melody?
|
- Mentor Creative Arts pg. 138
- Descant recorders - Notation for "Merrily We Roll Along" - Audio recording of melody |
- Observation
- Performance assessment
- Melody completion evaluation
|
|
13 | 5 |
Performance and Display
|
Descant Recorder - Playing additional melodies
|
By the end of the
lesson, the learner
should be able to:
- Play "Hot Cross Buns" and other simple melodies - Apply correct fingering for each note - Demonstrate growing musical confidence |
- Practice playing "Hot Cross Buns" and other melodies
- Form groups for practice and performance - Take turns playing the melodies - Focus on note transitions and rhythm accuracy - Provide feedback to group members |
How does group practice enhance melody learning?
|
- Mentor Creative Arts pg. 139
- Descant recorders - Notation for "Hot Cross Buns" and other melodies - Audio recordings of melodies |
- Observation
- Performance assessment
- Group participation evaluation
|
|
13 | 6 |
Performance and Display
|
Swimming - Introduction to crouch and standing surface dives
|
By the end of the
lesson, the learner
should be able to:
- Define surface dives as water entry techniques - Distinguish between crouch and standing surface dives - Show interest in learning swimming skills |
- Observe pictures/videos of surface dives
- Discuss the purpose of surface dives - Compare crouch and standing surface dives - Explore safety considerations for diving - Discuss the importance of swimming skills |
Why is Swimming an essential life skill?
|
- Mentor Creative Arts pg. 144
- Digital devices for video demonstrations - Pictures of surface dives - Charts showing dive progressions |
- Observation
- Oral questions
- Written assignments
|
|
14 |
END OF TERM EXAMINATIONS |
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